Marguerite Dumont est une femme fortunée passionnée de musique d'opéra. Depuis des années, elle chante régulièrement devant son cercle d'habitués, mais Marguerite chante tragiquement faux et... Tout lireMarguerite Dumont est une femme fortunée passionnée de musique d'opéra. Depuis des années, elle chante régulièrement devant son cercle d'habitués, mais Marguerite chante tragiquement faux et personne ne lui a jamais dit.Marguerite Dumont est une femme fortunée passionnée de musique d'opéra. Depuis des années, elle chante régulièrement devant son cercle d'habitués, mais Marguerite chante tragiquement faux et personne ne lui a jamais dit.
- Prix
- 7 victoires et 15 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe name of the title character is a gallicised form of Margaret Dumont, the dignified lady with the figure of an old-time opera singer who was the foil for the Marx Brothers' gags.
- GaffesPlaced in Paris starting from September 1920, and with an almost faithful commitment to the period, except for the sequence when Marguerite, Baronne Dumont sings whilst motion picture images are first projected onto a white sheet and then onto her white clothing. Incorrectly there is the use of a 16mm silent movie film that appears to be projected from a 16mm film projector, however 16mm film was not invented by Eastman Kodak in the USA until 1923. In France in 1922 Pathé Frères invented their 9.5mm silent movie film as part of the Pathé Baby amateur film system, which would have been more likely to be in use in this era.
For the era the incorrect number countdown leader is projected, and any fully trained projectionist would notice the error, and in 1920 we see the 1965 "SMPTE Universal Leader" that was designed and used for television projection applications. Featuring a continuous countdown from eight to two (measured in seconds, rather than feet), with the numbers in the center of a target with two white circles and a rotating "clock arm" animation. "SMPTE Universal Leader" did not gain widespread acceptance theatrically which still used from 1930 "The Academy Leader", and from 1951 "The Society Leader" (both are 16 frames/foot in 35mm film), counting down from eleven to three, and a quick beep is heard at three, with all the numbers appearing upside down. The words 'SIX' and 'NINE' usually appear below their respective numbers.
The Academy leader is specified by SMPTE 301.[1]. The Universal Leader is specified by ANSI/SMPTE 55.
The Society [aka All-Purpose] Leader (1951) is quite complex in design, and is recognizable by its circles with slender arrows pointing to the sides, top, and bottom of each frame (akin to cross-hairs). The numbering is from 11 to 3, but oriented the correct way up, however the SIX and NINE appear as words only. The numbers are again spaced at one foot intervals, i.e. at every sixteenth frame, with 'echoes' of each number in the immediately adjacent frames (so each number actually appears thrice). The Universal [a.k.a. Television] Leader (1965) is the most widely recognized with the familiar 'clocksweep' animated graphic, and the numbering used is from 8 to 2 and with duration of precisely 8secs@24fps. All numbers are the correct way up, and are spaced at 24-frame (1 second) intervals. Since the number 9 has been eliminated, the 6 appears only as a numeral.
- Citations
Félicité la barbue: [Referring to Marguerite] There are only two ways to deal with life: dream it or live it.
- ConnexionsReferenced in Florence Foster Jenkins (2016)
Her devoted butler, Madelbos, sees her as she sees herself - a grand opera singer who has performed all the great operatic female roles to perfection. Thus all the care and detail he contributes in her costumes and photos of her as if she actually performed these roles. Since her husband avoids her Marguerite has placed life into Madelbos's hands. Enter the two young journalist who meet Marguerite by sneaking into her estate during a fancy party to raise funds for the War Orphans charity. These two young men are very involved with the post WWI avant-garde movement in Paris and they find Marguerite to be both anti-establishment and uproarious. They write a glowing but tongue-in-cheek review of her singing. She reads it and is so taken with these two young men she befriends them and they in-turn introduce her to the underground art movement in Paris at that time. These people accept her as a performance artist and take her to heart.
So now Marguerite finds herself in two worlds, 1. The established moneyed society which patronize her and 2. The avant-garde art underground youth art culture. She experiences happiness, ambition, and excitement. Of course all this comes crashing down around her and she breaks under the reality. Her husband learns the hard way that he really loves her but it is too late. Her butler Madelbos could see this eventual end and is prepared to capture this bitter sweet moment.
What a wonderful movie, story, vision, Xavier Giannoli has brought to the screen. A delight to see, maybe painful to hear at times, but your heart will ride with Marguerite through her highs and lows, and be broken along with her friends that believed in her.
Bravo!!!
- cekadah
- 13 mai 2016
- Lien permanent
Meilleurs choix
- How long is Marguerite?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Madame Marguerite
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 € (estimation)
- Brut – États-Unis et Canada
- 506 677 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 19 924 $ US
- 13 mars 2016
- Brut – à l'échelle mondiale
- 8 754 356 $ US
- Durée2 heures 9 minutes
- Couleur
- Rapport de forme
- 2.35 : 1