L'histoire de l'attentat à la bombe au marathon de Boston de 2013 et des conséquences qui en ont résulté, notamment la chasse à l'homme dans toute la ville pour retrouver les terroristes res... Tout lireL'histoire de l'attentat à la bombe au marathon de Boston de 2013 et des conséquences qui en ont résulté, notamment la chasse à l'homme dans toute la ville pour retrouver les terroristes responsables.L'histoire de l'attentat à la bombe au marathon de Boston de 2013 et des conséquences qui en ont résulté, notamment la chasse à l'homme dans toute la ville pour retrouver les terroristes responsables.
- Prix
- 2 victoires et 3 nominations au total
Chris O'Shea
- Patrick Downes
- (as Christopher O'Shea)
Sang-bae Kim
- MIT Professor
- (as Sangbae Kim)
Ping Ping Yang
- Meng's Mom
- (as Pin Pin Yang)
Histoire
Le saviez-vous
- AnecdotesThe Military Police in the movie are real-life MPs from the Massachusetts National Guard. Some of them had responded in the week following the attack.
- GaffesWhen Dzhokhar is surrendering at the boat, a step ladder leaning against the boat goes from horizontal to vertical between cuts.
- Citations
Sergeant John MacLellan: Welcome to Watertown, motherfucker!
- Autres versionsIn the German version, the supplement at the end of the movie (where interviews with real life people are shown) was removed because it was deemed too patriotic/pathetic for Non-American viewers.
- Bandes originalesCountry Fried
Written by Zac Brown and Wyatt Durrette
Commentaire en vedette
People are captivated by the extraordinary events. And people love to be entertained. So what could possibly be better than a dramatic story of extraordinary nature. Especially if it's based on real events, shows the heroism of simple people and touches the audience's sensitive patriotic spot.
That's basically a recipe for Patriots Day. Take the case of the Boston Marathon bombing, the largest terrorist attack in the US since 9/11, show it through the eyes of several regular people, first introducing their personal lives and then following them along the course of the main events. And finally, when it's all over, add some first-person moral lessons and conclusions, so that we all realize for sure how important and pivotal that event was for the people and for the world, and feel privy to its changing momentum.
All by itself, it's a pretty good, even noble approach. But there's a tiny little detail that changes everything: that all that must sell somehow, because even the extraordinary stories have to be entertaining. So the otherwise consistent and self-sufficient story is being infused with dramatization, laying it on even thicker where it's already been thick, and creating moments that might not have been there in the first place simply to make the story more of a thriller. A very similar thing happened just recently with Deepwater Horizon.
The result becomes a product with the typical Hollywood spin, but proudly called "based on real events". That it might be, but on the basis of real people's actions, beliefs and lives there has been put enough creative imagination for the film to feel at times fake, at times cheesy and at times way over the top. And we will never know for sure if some or other moments that touched each of us personally happened for real, or they were skillfully injected by the filmmakers to genetically modify the movie and make it more appealing to the audience. Having fallen for this trick before, I refuse to be bought so cheaply again. So I really wish movies such as Patriots Day were made as documentaries. Yes, maybe they wouldn't sell as much, but at least they would be sincere and true. And what if not truth and sincerity do such stories try to uphold?
That's basically a recipe for Patriots Day. Take the case of the Boston Marathon bombing, the largest terrorist attack in the US since 9/11, show it through the eyes of several regular people, first introducing their personal lives and then following them along the course of the main events. And finally, when it's all over, add some first-person moral lessons and conclusions, so that we all realize for sure how important and pivotal that event was for the people and for the world, and feel privy to its changing momentum.
All by itself, it's a pretty good, even noble approach. But there's a tiny little detail that changes everything: that all that must sell somehow, because even the extraordinary stories have to be entertaining. So the otherwise consistent and self-sufficient story is being infused with dramatization, laying it on even thicker where it's already been thick, and creating moments that might not have been there in the first place simply to make the story more of a thriller. A very similar thing happened just recently with Deepwater Horizon.
The result becomes a product with the typical Hollywood spin, but proudly called "based on real events". That it might be, but on the basis of real people's actions, beliefs and lives there has been put enough creative imagination for the film to feel at times fake, at times cheesy and at times way over the top. And we will never know for sure if some or other moments that touched each of us personally happened for real, or they were skillfully injected by the filmmakers to genetically modify the movie and make it more appealing to the audience. Having fallen for this trick before, I refuse to be bought so cheaply again. So I really wish movies such as Patriots Day were made as documentaries. Yes, maybe they wouldn't sell as much, but at least they would be sincere and true. And what if not truth and sincerity do such stories try to uphold?
- Semisonic
- 19 mars 2017
- Lien permanent
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- How long is Patriots Day?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Patriots Day
- Lieux de tournage
- Mason St. Malden, Massachusetts, États-Unis(Big firefight in street where one brother gets killed)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 31 886 361 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 161 306 $ US
- 25 déc. 2016
- Brut – à l'échelle mondiale
- 52 185 751 $ US
- Durée2 heures 13 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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