ÉVALUATION IMDb
7,2/10
2,6 k
MA NOTE
Ajouter une intrigue dans votre langueSet during the Philippine-American war, a short-tempered Philippine Revolutionary Army general faces an enemy more formidable than the American army: his own treacherous countrymen.Set during the Philippine-American war, a short-tempered Philippine Revolutionary Army general faces an enemy more formidable than the American army: his own treacherous countrymen.Set during the Philippine-American war, a short-tempered Philippine Revolutionary Army general faces an enemy more formidable than the American army: his own treacherous countrymen.
- Prix
- 17 victoires et 20 nominations au total
Arthur Acuña
- Maj. Manuel Bernal
- (as Art Acuña)
Jeffrey Quizon
- Apolinario Mabini
- (as Epy Quizon)
Histoire
Le saviez-vous
- AnecdotesAfter Luna is killed, he is dragged through one arm to the side of the convent, reminiscent of the famous Spolarium painting, which was painted by his brother Juan Luna.
- GaffesWhen General Luna and his men enter a church to pray briefly after hearing news of the American attack on Santa Mesa, several statues of the Virgin Mary can be seen near a window in the background. One of them is Our Lady of Fátima; the Fátima Apparitions occurred in 1917, almost two decades after the film's time period.
- Générique farfeluIn a post-credits sequence, General Gregorio del Pilar (Paulo Avelino) is told there are not enough men left. He tells his aide to choose 60--the number of men he had with him when he tried to defend Aguinaldo's retreat from American soldiers at the Battle of Tirad Pass. The scene hints that Del Pilar will be the focus of the next film in a rumoured historical film trilogy by director Jerrold Tarog.
- ConnexionsSpin-off Angelito (2017)
- Bandes originalesHanggang wala nang bukas
Words and Music by Ebe Dancel
Vocals by Ebe Dancel
Guitars by Kettle Mata
Bass by Roger Alcantara
Drums by Jerrold Tarog
Recorded and mixed at Tower of Doom Records by Eric Perlas
Commentaire en vedette
Better late than never...
Heneral Luna opens claiming that this is a fictionalized biopic of one of Philippine's most important historical figures, Antonio Luna, for the sake of getting the modern audience into the history's bigger picture. In spite of being more intense and surprisingly humorous, the movie stays loyal to what this figure truly stands for. The war is brutal, over-the-top to bring up for visual flare, and their serious situations being often treated as sincere satires. How the film executed these ideas are just brilliant, it gets larger-than-life without feeling outlandish, towards the heart of defending the nation worth fighting for.
The film is all about justifying their quote about the real enemy of this war is themselves. Although we see warfare with both the Philippine and American army attacking each other, this battle is basically the secondary concern here. The real detail of this war is how many soldiers chickening out from the battlefield and some officials wanted to work with the Americans. But of course, their real goal is independence; the movie makes a punchline out of those who aren't helping out, those who are just running away and those who are just isn't fond of Luna's aggressiveness. The film doesn't glamorize the character of Luna, either. Though his intentions are right, his rage could get out of hand which puts most of them off. But that also indicate that winning this revolution deserves more discipline than what they got.
Back to the fact that this is taken a lot out of creative liberties, the movie fills this history with vast amount of sense of humor and violent panache. The violence is, again, over-the-top. At times it gets pretty symbolical, specifically the climax. The humor is clearly just satirizing to those characters who aren't being helpful and those who are afraid of facing Luna's rage once more. And when it's not trying to pull off any sense of levity, we just get to see the story flesh itself out more in the sidelines of its history and other characters.
The filmmaking is stunning, slick and stylish. The production looks pretty neat. The movie is paced nicely even at times it's layered to different events, but puts itself together consistently. The acting is beyond impressive; specifically John Arcilla as Antonio Luna. He brings a genuine humanity, and at the same time, a really compelling sense of madness, which terrifically lives up to the complexity of its subject. The supporting also lends real gravity and even delight on screen, but it's Arcilla's show and that's more than enough of a worth seeing performance through out.
Maybe some quibbles I could point out; maybe how the enemies are portrayed felt like they're written to be campy villains and maybe just one punchline in the film that felt like it belongs to a comedy skit. But again, these are quibbles and they can be debunked, even by myself. The former can be forgiven since they're technically not the main villains of this ordeal, while the latter is just a single scene and obviously designed to keep shaming the cowards at the battlefield. Anything else, there is so much to love in Heneral Luna. It's great, not only because it's humorous and visually interesting, but it's also a two-sided argument towards its history, not based on praising, but actually by criticism. Yes, this is a war movie that gets brutal, but the movie focuses on a meatier and more challenging side of the ordeal. And it pokes fun at some unwise decisions the people behind this war make, but what matters is the intention of its subject unable to die while he's still standing. Otherwise, it's just an ultimately entertaining film that exceeds expectations. Truly recommended.
Heneral Luna opens claiming that this is a fictionalized biopic of one of Philippine's most important historical figures, Antonio Luna, for the sake of getting the modern audience into the history's bigger picture. In spite of being more intense and surprisingly humorous, the movie stays loyal to what this figure truly stands for. The war is brutal, over-the-top to bring up for visual flare, and their serious situations being often treated as sincere satires. How the film executed these ideas are just brilliant, it gets larger-than-life without feeling outlandish, towards the heart of defending the nation worth fighting for.
The film is all about justifying their quote about the real enemy of this war is themselves. Although we see warfare with both the Philippine and American army attacking each other, this battle is basically the secondary concern here. The real detail of this war is how many soldiers chickening out from the battlefield and some officials wanted to work with the Americans. But of course, their real goal is independence; the movie makes a punchline out of those who aren't helping out, those who are just running away and those who are just isn't fond of Luna's aggressiveness. The film doesn't glamorize the character of Luna, either. Though his intentions are right, his rage could get out of hand which puts most of them off. But that also indicate that winning this revolution deserves more discipline than what they got.
Back to the fact that this is taken a lot out of creative liberties, the movie fills this history with vast amount of sense of humor and violent panache. The violence is, again, over-the-top. At times it gets pretty symbolical, specifically the climax. The humor is clearly just satirizing to those characters who aren't being helpful and those who are afraid of facing Luna's rage once more. And when it's not trying to pull off any sense of levity, we just get to see the story flesh itself out more in the sidelines of its history and other characters.
The filmmaking is stunning, slick and stylish. The production looks pretty neat. The movie is paced nicely even at times it's layered to different events, but puts itself together consistently. The acting is beyond impressive; specifically John Arcilla as Antonio Luna. He brings a genuine humanity, and at the same time, a really compelling sense of madness, which terrifically lives up to the complexity of its subject. The supporting also lends real gravity and even delight on screen, but it's Arcilla's show and that's more than enough of a worth seeing performance through out.
Maybe some quibbles I could point out; maybe how the enemies are portrayed felt like they're written to be campy villains and maybe just one punchline in the film that felt like it belongs to a comedy skit. But again, these are quibbles and they can be debunked, even by myself. The former can be forgiven since they're technically not the main villains of this ordeal, while the latter is just a single scene and obviously designed to keep shaming the cowards at the battlefield. Anything else, there is so much to love in Heneral Luna. It's great, not only because it's humorous and visually interesting, but it's also a two-sided argument towards its history, not based on praising, but actually by criticism. Yes, this is a war movie that gets brutal, but the movie focuses on a meatier and more challenging side of the ordeal. And it pokes fun at some unwise decisions the people behind this war make, but what matters is the intention of its subject unable to die while he's still standing. Otherwise, it's just an ultimately entertaining film that exceeds expectations. Truly recommended.
- billygoat1071
- 21 sept. 2015
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Генерал Луна
- Lieux de tournage
- Magdalena, Laguna, Philippines(Stood in for Cabanatuan Church)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 206 040 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 15 485 $ US
- 1 nov. 2015
- Brut – à l'échelle mondiale
- 4 625 639 $ US
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