La relation d'un couple est mise à l'épreuve lorsque des intrus s'invitent chez eux, perturbant leur existence tranquille.La relation d'un couple est mise à l'épreuve lorsque des intrus s'invitent chez eux, perturbant leur existence tranquille.La relation d'un couple est mise à l'épreuve lorsque des intrus s'invitent chez eux, perturbant leur existence tranquille.
- Prix
- 9 victoires et 54 nominations au total
Histoire
Le saviez-vous
- AnecdotesThroughout the entire movie, no one's name is ever mentioned and not a single character is ever referred to by any name. Characters are listed in the end credits by their roles in the story.
- GaffesWhen the Michelle Pfeiffer's character burns her hand on the skillet, her husband tells "Mother" to get some ice. As a medical doctor (he said earlier that he is a surgeon) he would know that applying ice to a burn can further damage the tissue. It would have been better to run her hand under cold water.
- Générique farfeluAt the end of the credits, a steady heartbeat is heard.
- Bandes originalesThe End of the World
Written by Sylvia Dee and Arthur Kent
Vocals by Patti Smith
Produced by Tony Shanahan
Patti Smith appears courtesy of Columbia Records
Commentaire en vedette
I have a nagging feeling that the raves come from people in their 20's and/or younger. I maybe wrong but the debate erupting from this movie reeks of youth. Something similar happened with Terrence Malnick's The Tree Of Life. People either loved it or hated it. From my own personal POV the only different between The Tree Of Life and Mother! is that The Tree Of Life was a masterpiece without any visual cope outs and, perhaps, the only commercial concession were in big star names but even then Brad Pitt gives one of the best performances of his career. Mother ! Is not a masterpiece, not to me anyway. I couldn't connect. Was it a comedy of the absurd? When I saw all the people dancing and partying in the house I had a flash back to Blake Edwards's "The Party"Jennifer Lawrence is a truly gifted actress and beautiful to boot and, quite clearly, she put herself in Darren Aronfski's hands, She, the mother, calls out "Baby"? Hoping to find her husband - She is a Saint Joan half burned already. That truly puzzled me. Can you please give us time to connect with her? A few minutes. If you remember Mia Farrow's Rosemary - She was, emotionally, so far away from what she's about to confront. Polanski takes the audience through her journey and we're with her, every step of the way. What makes it so terrifying is the veil of normalcy that surrounds the proceedings. In Mother, the surreal takes over the atmosphere and destroys it. We can keep a distance without really participating. The same can be said of Ed Harris and Michelle Pfeiffer - They are a welcome, semi-camp addition at the perfect time and then, they disappear. The glory of Ruth Gordon and Sidney Blackmer in Rosemary's Baby is that their intrusion is taken all the way through to extraordinary results. And Javier Bardem/John Cassavetes? If you're interested watch Rosemary's Baby again like I did last night, 24 hours after seeing Mother!and then you tell me. In my modest opinion one is a flawless masterpiece the other is just okay.
- andrewors
- 21 sept. 2017
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Détails
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 17 800 004 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 7 534 673 $ US
- 17 sept. 2017
- Brut – à l'échelle mondiale
- 44 516 999 $ US
- Durée2 heures 1 minute
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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