ÉVALUATION IMDb
4,9/10
12 k
MA NOTE
Une relation intime entre un humain et un androïde teste les limites de la nature humaine.Une relation intime entre un humain et un androïde teste les limites de la nature humaine.Une relation intime entre un humain et un androïde teste les limites de la nature humaine.
- Prix
- 9 victoires et 7 nominations au total
Histoire
Le saviez-vous
- AnecdotesAt 4:18 the Social Engineer refers to Asimov's laws which follow: First Law: A robot may not injure a human being, or through inaction, allow a human being to come to harm. Second Law: A robot must obey orders given to it except where such orders would conflict with the First Law. Third Law: A robot must protect its own existence as long as that protection does not conflict with the First or Second Laws. The laws were published in science fiction writer Isaac Asimov's 1950 collection "I, Robot".
- Citations
Milutin: I activated Nimani. She looks very lifelike, once you typed in whatever you wanted. Her behavior is not natural. It's just a setup after setup. She does everything you want, but you don't have to fight for it. Don't get to deserve it, just a series of submissions. I don't think you can have a relationship without any refusal, any struggle.
- ConnexionsReferences Solaris (1972)
Commentaire en vedette
I'll try to be as objective as possible, therefore even though I am from Serbia I won't give this movie a pass "just because it's ours" or because of its' small budget. Also, no spoilers.
At first I was very surprised by the visuals - the movie started and it looked genuinely good...at first, before you realize that the filmmakers had only 2, maybe 3 small sets and that the film is visually very repetitive (even some of the same shots are used multiple times). That in itself isn't such a huge issue, seeing how there are plenty of films that take place in a single location but they compensate for their visual simplicity with an interesting story and engaging performances, something that's very much lacking here. As for the visual effects, they are ok by early 2000s standards.
The music was good and well implemented. The standout piece for me is Arvo Part's "My Heart's in the Highlands" which was also used in "The Great Beauty" (a good film worth checking out if you're not into conventional films or if you're a fan of Fellini).
The performances are not great. Sebastian Cavazza's performance as the astronaut Milutin is either bad or at best mediocre (I don't know if I can blame him, the director or the poor script for that). Milutin has no real depth and I struggle to describe his personality beyond saying that he's an astronaut with a gruff voice who swears a lot and is horny (oh, and a bit sad, I guess). At one point in the movie we are told that he's severely depressed and if it weren't for that line I would have never guessed that that's where he's at emotionally, you just can't feel it. The few times Cavazza tries to convey emotions that aren't anger and frustration his performance is borderline laughable. Stoya, who plays the part of Nimani, did her job...ok. She plays the part of an emotionless android with a few preprogrammed emotional settings well enough, nothing noteworthy though.
The story is very derivative. If you've seen a film that deals with AI than there's nothing here that you haven't seen before and done way better. The plot is bare bones and shallow with plenty of meandering (albeit aesthetically pleasing) shots of the same 2 (or 3) sets of the ship or of Nimani standing/sleeping/levitating around the ship - shots that don't progress the plot in any way or give any information to the viewer - they're just there to stretch the runtime of the movie. The questions this film raises are raised in other, better movies/TV shows (most notably "Her", "Ex Machina", both "Blade Runner" movies and "Westworld") and done so with more nuance. If you're someone who just wants to watch a movie to pass the time you'll probably find this movie boring and bland, on the other hand if you're someone who wants to experience a deep and meaningful film you'll find it lacking as well.
At first I was very surprised by the visuals - the movie started and it looked genuinely good...at first, before you realize that the filmmakers had only 2, maybe 3 small sets and that the film is visually very repetitive (even some of the same shots are used multiple times). That in itself isn't such a huge issue, seeing how there are plenty of films that take place in a single location but they compensate for their visual simplicity with an interesting story and engaging performances, something that's very much lacking here. As for the visual effects, they are ok by early 2000s standards.
The music was good and well implemented. The standout piece for me is Arvo Part's "My Heart's in the Highlands" which was also used in "The Great Beauty" (a good film worth checking out if you're not into conventional films or if you're a fan of Fellini).
The performances are not great. Sebastian Cavazza's performance as the astronaut Milutin is either bad or at best mediocre (I don't know if I can blame him, the director or the poor script for that). Milutin has no real depth and I struggle to describe his personality beyond saying that he's an astronaut with a gruff voice who swears a lot and is horny (oh, and a bit sad, I guess). At one point in the movie we are told that he's severely depressed and if it weren't for that line I would have never guessed that that's where he's at emotionally, you just can't feel it. The few times Cavazza tries to convey emotions that aren't anger and frustration his performance is borderline laughable. Stoya, who plays the part of Nimani, did her job...ok. She plays the part of an emotionless android with a few preprogrammed emotional settings well enough, nothing noteworthy though.
The story is very derivative. If you've seen a film that deals with AI than there's nothing here that you haven't seen before and done way better. The plot is bare bones and shallow with plenty of meandering (albeit aesthetically pleasing) shots of the same 2 (or 3) sets of the ship or of Nimani standing/sleeping/levitating around the ship - shots that don't progress the plot in any way or give any information to the viewer - they're just there to stretch the runtime of the movie. The questions this film raises are raised in other, better movies/TV shows (most notably "Her", "Ex Machina", both "Blade Runner" movies and "Westworld") and done so with more nuance. If you're someone who just wants to watch a movie to pass the time you'll probably find this movie boring and bland, on the other hand if you're someone who wants to experience a deep and meaningful film you'll find it lacking as well.
- vorlovic
- 25 févr. 2018
- Lien permanent
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- How long is A.I. Rising?Propulsé par Alexa
Détails
- Durée1 heure 25 minutes
- Couleur
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What is the Brazilian Portuguese language plot outline for A.I. Rising (2018)?
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