ÉVALUATION IMDb
6,7/10
8,3 k
MA NOTE
Drame dans une salle d'audience, centré sur le meurtre d'un directeur d'usine.Drame dans une salle d'audience, centré sur le meurtre d'un directeur d'usine.Drame dans une salle d'audience, centré sur le meurtre d'un directeur d'usine.
- Prix
- 6 victoires et 17 nominations
Histoire
Le saviez-vous
- AnecdotesThis is the first fiction film from Hirokazu Koreeda that was shot in anamorphic digital and framed in 2.35:1.
Commentaire en vedette
In recent years, Hirokazu Koreeda has been among the most exciting and interesting Japanese filmmakers. In movies such as "Like Father, Like Son", "Our Little Sister" and "Shoplifters", he tells marvelous stories about seemingly ordinary and non-cimematic sitations....stories about real people and about problems which you rarely hear about in Japanese movies. Here, in a bit of a change of pace, Koreeda takes on a story about murder....and it's complex, strange and ultimately worth seeing. Sadly, however, the pacing is glacially slow...and many viewers ultimately might give up on the film before its conclusion.
The story is about a group of lawyers who have been a pretty hopeless case to defend. It seems a man has pled guilty to murder and burning a corpse...and he's done little to help himself avoid the death penalty. In addition, his story is very inconsistent and keeps changing. Inexplicably, instead of just going through the motions as most lawyers would do in a case like this, Shigemori keeps digging to learn exactly what did happen and why...and, not surprisingly, it's not what the case originally seemed to be.
The story is slow....very, very slow. For non-Japanese audiences, this slowness makes watching the film with subtitles a bit tough...and I found myself drifting off on occasion. My advice is to stick with it....the twist is shocking and exposes some issues rarely addressed in films...especially Japanese films. Not surprising, as Koreeda seems to enjoy addressing topics which other Japanese filmmakers avoid.
The story is about a group of lawyers who have been a pretty hopeless case to defend. It seems a man has pled guilty to murder and burning a corpse...and he's done little to help himself avoid the death penalty. In addition, his story is very inconsistent and keeps changing. Inexplicably, instead of just going through the motions as most lawyers would do in a case like this, Shigemori keeps digging to learn exactly what did happen and why...and, not surprisingly, it's not what the case originally seemed to be.
The story is slow....very, very slow. For non-Japanese audiences, this slowness makes watching the film with subtitles a bit tough...and I found myself drifting off on occasion. My advice is to stick with it....the twist is shocking and exposes some issues rarely addressed in films...especially Japanese films. Not surprising, as Koreeda seems to enjoy addressing topics which other Japanese filmmakers avoid.
- planktonrules
- 16 janv. 2019
- Lien permanent
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- How long is The Third Murder?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Third Murder
- Lieux de tournage
- Rumoi Station, Rumoi, Hokkaido, Japon(the three lawyers arrive in Rumoi)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 89 315 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 10 670 $ US
- 22 juill. 2018
- Brut – à l'échelle mondiale
- 13 411 936 $ US
- Durée2 heures 4 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Sandome no satsujin (2017) officially released in India in English?
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