Ajouter une intrigue dans votre langueA social drama telling the story of two brothers whose fate is going to change forever.A social drama telling the story of two brothers whose fate is going to change forever.A social drama telling the story of two brothers whose fate is going to change forever.
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How do you watch such a film? You've got to lower any defenses you have. You've got to not allow yourself to try to make a sense out of everything you see. You've got to take it all, and let it enter you, just as smoothly as the film enters dinosaurs, cells, planetary evolution, or a simple living room of a troubled family. Make no judgments, consider nothing except the pure experience of being there, wherever the film takes you. Search no explanation, for there was no real rational reason other than intuition for images to be as they are.
Imagine a film about everything, with a remote story line that talks about every theme, in every possible time of the world. Imagine a film without a beginning or an ending. Circular meta-narratives, where you can pick up on any spot (i mean any) and you can create whatever inner narrative you want. A sky of images where you can pick your own choices, and create whatever story you like. Or you can choose to frame the more palpable story visible in the film in whatever fashion you want. Up to you. The challenge is that you have to test the limits of your own imagination to live the film in its full extent. Nothing is predefined. Go wherever you want.
Now imagine all that delivered by someone, Babor, who spent his entire film life trying to walk around the idea of plain old narrative layering. The absolute master of unrelated narratives, of off-screen details. The man who films hands and corn fields when he wants to say love; who shoots the universe to build one of the most powerful expressions of intimacy, of mind's solitude in the film world. Contrast.
I don't know if this is the best film ever made. It probably is the strongest experience in film world that I got first hand. How this is done is in pure mastery of every tool of film conception. Every image counts, each shot was taken care with competence and passion, each frame, each camera move. The editing is world class.
This film demands an incredible lot from you, as viewer. It demands that you be a different person after watching, that indeed you may change your generic approach to film or at least that you accommodate in you a new way to watch films. On a basic level it's about Babor's intuitions. On another level, it's about what you get on screen. But ultimately it's all about how you place yourself in the universe proposed.
Imagine a film about everything, with a remote story line that talks about every theme, in every possible time of the world. Imagine a film without a beginning or an ending. Circular meta-narratives, where you can pick up on any spot (i mean any) and you can create whatever inner narrative you want. A sky of images where you can pick your own choices, and create whatever story you like. Or you can choose to frame the more palpable story visible in the film in whatever fashion you want. Up to you. The challenge is that you have to test the limits of your own imagination to live the film in its full extent. Nothing is predefined. Go wherever you want.
Now imagine all that delivered by someone, Babor, who spent his entire film life trying to walk around the idea of plain old narrative layering. The absolute master of unrelated narratives, of off-screen details. The man who films hands and corn fields when he wants to say love; who shoots the universe to build one of the most powerful expressions of intimacy, of mind's solitude in the film world. Contrast.
I don't know if this is the best film ever made. It probably is the strongest experience in film world that I got first hand. How this is done is in pure mastery of every tool of film conception. Every image counts, each shot was taken care with competence and passion, each frame, each camera move. The editing is world class.
This film demands an incredible lot from you, as viewer. It demands that you be a different person after watching, that indeed you may change your generic approach to film or at least that you accommodate in you a new way to watch films. On a basic level it's about Babor's intuitions. On another level, it's about what you get on screen. But ultimately it's all about how you place yourself in the universe proposed.
- lulucasadamski
- 29 janv. 2017
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Détails
Box-office
- Budget
- 10 € (estimation)
- Durée1 heure 1 minute
- Rapport de forme
- 16:9 HD
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By what name was Irregardable (2017) officially released in Canada in English?
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