Après un coup d'un soir raté, un mécanicien prend soin de trois enfants.Après un coup d'un soir raté, un mécanicien prend soin de trois enfants.Après un coup d'un soir raté, un mécanicien prend soin de trois enfants.
Tracy Gotoas
- Copine Tina
- (as Tracy Nganare)
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- AnecdotesFrench visa # 134568.
Commentaire en vedette
A film which begins as a comedy and ends up as a drama ;it's not derivative on the French scene dominated by the "feel good" genre.Behind the misadventures of a young mechanic ,a really good Samaritan ,you must pay attention to see what serious things the movie is saying :nowadays some unfortunate children are left to their own advices ,parents are irresponsible , the equal opportunities are a myth ; it happens every day and the society has to be blamed : one does not know who the children's mom was -she does not appear in the movie,and for a good reason- , perhaps was she herself a child whose parents did not care for her.
Eric Judor shines in this offbeat movie : a forty-something mechanic ,still leaving in his mother's house ( not exactly to be precise) , a mother who always puts him down -she's at once his mom and the owner of the little tow-truck business where he 's working-
The day he has to take care of children whose mom has vanished into thin air , he will go out of his way for them in a rather selfish background , people turning their back on him ;all he does backfires on him.When the social worker lends a helping hand,she's simply doing her job ,her commitment to the children's fate is purely professional . But the hung up mechanic ,for the first time in his life,has understood that ,by becoming a "surrogate "dad for these abandoned kids, he has found a way to stop being a grown-up kid himself .
The most tragic (and I mean tragic) scene of the film is filmed with a stunning economy of means, a keen sense of decency : as Richard -1787 wrote in his insightful review , one didn't expect much from this movie, and absolutely not such a sequence :even the dog called Elvis plays an important part in the drama.
One can regret that one more time English songs (the Moody blues' "nights in white satin " is irrelevant in that context) are used in the movie :it's all the more irritating since the score is nice,particularly the instrumental on the final cast and credits .
On the other hand ,the final sequence is heart-warming ; after a tragedy ,life must go on: now the hero is a man and as such he acts even though his attitude may seem reckless.
I entirely second the first review.
Eric Judor shines in this offbeat movie : a forty-something mechanic ,still leaving in his mother's house ( not exactly to be precise) , a mother who always puts him down -she's at once his mom and the owner of the little tow-truck business where he 's working-
The day he has to take care of children whose mom has vanished into thin air , he will go out of his way for them in a rather selfish background , people turning their back on him ;all he does backfires on him.When the social worker lends a helping hand,she's simply doing her job ,her commitment to the children's fate is purely professional . But the hung up mechanic ,for the first time in his life,has understood that ,by becoming a "surrogate "dad for these abandoned kids, he has found a way to stop being a grown-up kid himself .
The most tragic (and I mean tragic) scene of the film is filmed with a stunning economy of means, a keen sense of decency : as Richard -1787 wrote in his insightful review , one didn't expect much from this movie, and absolutely not such a sequence :even the dog called Elvis plays an important part in the drama.
One can regret that one more time English songs (the Moody blues' "nights in white satin " is irrelevant in that context) are used in the movie :it's all the more irritating since the score is nice,particularly the instrumental on the final cast and credits .
On the other hand ,the final sequence is heart-warming ; after a tragedy ,life must go on: now the hero is a man and as such he acts even though his attitude may seem reckless.
I entirely second the first review.
- ulicknormanowen
- 9 mars 2021
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Troubleshooter
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 500 000 € (estimation)
- Brut – à l'échelle mondiale
- 977 224 $ US
- Durée1 heure 21 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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