Dieu, tu es là? C'est moi Margaret
Titre original : Are You There God? It's Me, Margaret.
Quand sa famille quitte la ville pour la banlieue, Margaret, 11 ans, trouve de nouveaux amis et de nouveaux sentiments, au seuil de l'adolescence.Quand sa famille quitte la ville pour la banlieue, Margaret, 11 ans, trouve de nouveaux amis et de nouveaux sentiments, au seuil de l'adolescence.Quand sa famille quitte la ville pour la banlieue, Margaret, 11 ans, trouve de nouveaux amis et de nouveaux sentiments, au seuil de l'adolescence.
- Prix
- 26 victoires et 82 nominations au total
Amari Alexis Price
- Janie Loomis
- (as Amari Price)
Katherine Mallen Kupferer
- Gretchen Potter
- (as Katherine Kupferer)
Landon S. Baxter
- Evan Wheeler
- (as Landon Baxter)
Olivia Williams
- Witch
- (as Olivia Frances Williams)
Mike Platarote Jr.
- Guy in Car
- (as Michael Platarote)
Zack Brooks
- Philip Leroy
- (as Zackary Brooks)
Jecobi Swain
- Freddy Barnett
- (as JeCobi Swain)
Histoire
Le saviez-vous
- AnecdotesJudy Blume, the author of the source novel, has a walk-on role as a woman walking a dog.
- GaffesIn the synagogue, they are using the (Conservative) Rabbinical Assembly's Siddur Lev Shalem prayer book. It was published in 2016. The cantor is a woman, but females weren't ordained as cantors until 1975 for Reform and 1987 for Conservative.
- Citations
Margaret: I immediately wanted to take it off.
Barbara Simon: Yeah. Welcome to womanhood.
- Générique farfeluFans of "The Simpsons" especially will note the Gracie Films logo at the beginning of the film, used at the end of episodes of the aforementioned television show. Gracie Films is an American film and television production company, founded by James L. Brooks in 1986 and named for comedian Gracie Allen, formerly wife and professional partner of George Burns. James Brooks is also a producer of the film. Among other shows and movies, Gracie Films is responsible for "The Mary Tyler Moore Show" (1970-77), "Jerry McGuire" (1996), and "As Good as it Gets" (1997).
- Autres versionsThe version of the film shown at advanced screenings featured a "Margaret Moments" segment prior to the film playing, which features women recounting their memories which are relatable to the characters/situations of the original book. Marge Simpson appears during this segment, likely because James L. Brooks/Gracie Films produced the film.
- ConnexionsFeatured in 60 Minutes: Prince Harry/A Hans Zimmer Score (2023)
- Bandes originalesBirds of a Feather
Written by Joe South
Performed by Paul Revere & The Raiders
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Commentaire en vedette
At least marginally better than "Are You There, God? It's me, Jonah Hill. From Moneyball."
Succinctly and pleasantly low stakes; there isn't any high-great drama, until the last twenty minutes, but the tone is consistent and manages to get deep about Faith, or really the absence of it, or how hard it can be for a young person to comprehend how, as Margaret ultimately puts it in the assignment to the teacher, religion makes people fight all the time.
For the most part, this is a story that is a School Year in the Life abd it's perfectly content to be about things like, oh, how you're fitting in with a new group of friends (some more agreeable than others), which boys are cute or not, and yet it's actually about something deeper due to the comparison the film makes between Margaret with Nancy and Margaret's Mom with the PTA (led by... Nancy's Mom): a Group isn't inherently a bad thing, but when there's one person asking or really demanding for this and that with pressures it can add to the already-there pressure of life in Suburbia.
Abby Ryder Fortson is so appealing and wonderful in the lead part, where your heart always goes out to her and she is funny and sympathetic and sometimes awkward in that way an 11 to 12 year old is at that time. The film maybe wraps everything up a little too tidy by the end for me, but it's hard to make a fuss when what is all wrapped up is all just, well, "will I finally talk to Moose who mows the lawn, or will "It" happen in the bathroom?" I never read the book, but it feels like it probably managed to bring everything in adaptation that was necessary (though I wonder if things between Margaret and Nancy came more to a head in the book than here, where things just kind of leave off on a silent understanding of a lie).
If it doesn't reach quite the heights of the director's previous movie, Edge of Seventeen, it's still never less than entertaining, amusing is not always funny (ok the dinner scene with both sides of the families is funny), and it's impressive that this can be in theaters as something for families to see that isn't the more soulless IP or candy-coated fast food.
Succinctly and pleasantly low stakes; there isn't any high-great drama, until the last twenty minutes, but the tone is consistent and manages to get deep about Faith, or really the absence of it, or how hard it can be for a young person to comprehend how, as Margaret ultimately puts it in the assignment to the teacher, religion makes people fight all the time.
For the most part, this is a story that is a School Year in the Life abd it's perfectly content to be about things like, oh, how you're fitting in with a new group of friends (some more agreeable than others), which boys are cute or not, and yet it's actually about something deeper due to the comparison the film makes between Margaret with Nancy and Margaret's Mom with the PTA (led by... Nancy's Mom): a Group isn't inherently a bad thing, but when there's one person asking or really demanding for this and that with pressures it can add to the already-there pressure of life in Suburbia.
Abby Ryder Fortson is so appealing and wonderful in the lead part, where your heart always goes out to her and she is funny and sympathetic and sometimes awkward in that way an 11 to 12 year old is at that time. The film maybe wraps everything up a little too tidy by the end for me, but it's hard to make a fuss when what is all wrapped up is all just, well, "will I finally talk to Moose who mows the lawn, or will "It" happen in the bathroom?" I never read the book, but it feels like it probably managed to bring everything in adaptation that was necessary (though I wonder if things between Margaret and Nancy came more to a head in the book than here, where things just kind of leave off on a silent understanding of a lie).
If it doesn't reach quite the heights of the director's previous movie, Edge of Seventeen, it's still never less than entertaining, amusing is not always funny (ok the dinner scene with both sides of the families is funny), and it's impressive that this can be in theaters as something for families to see that isn't the more soulless IP or candy-coated fast food.
- Quinoa1984
- 29 avr. 2023
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Détails
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 20 372 406 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 739 037 $ US
- 30 avr. 2023
- Brut – à l'échelle mondiale
- 21 464 043 $ US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of Dieu, tu es là? C'est moi Margaret (2023) in Germany?
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