ÉVALUATION IMDb
7,7/10
3,8 k
MA NOTE
Ajouter une intrigue dans votre langueA shy young man who can't talk to women ventures out to publish a book full of fictional conquests, but finds true love along the way.A shy young man who can't talk to women ventures out to publish a book full of fictional conquests, but finds true love along the way.A shy young man who can't talk to women ventures out to publish a book full of fictional conquests, but finds true love along the way.
- Prix
- 1 victoire au total
Henry A. Barrows
- Publisher Roger Thornsby
- (uncredited)
Ethel Broadhurst
- Publisher Woman
- (uncredited)
Sammy Brooks
- Short Train Passenger
- (uncredited)
Billy Butts
- Little Boy
- (uncredited)
Joe Cobb
- Boy in Tailor Shop
- (uncredited)
Jackie Condon
- Boy Having Pants Sewn
- (uncredited)
Mickey Daniels
- Newsboy
- (uncredited)
Andy De Villa
- Traffic Cop
- (uncredited)
Dorothy Dorr
- Girl With the Curls
- (uncredited)
F.F. Guenste
- Butler
- (uncredited)
Betsy Ann Hisle
- Little Girl
- (uncredited)
Wally Howe
- First Bootlegger
- (uncredited)
Priscilla King
- Girl
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesMany of the exterior shots were filmed at Holmby House, the massive estate owned by Arthur Letts, owner of Bullock's Department Stores. Harold Lloyd did not move into his Green Acres estate in Beverly Hills until 1929, five years after this movie was released.
- GaffesWhen Mary's car goes off the road and in a close shot she takes out the Cracker Jack box, there is a reflection in the side of the car (bottom left) of a pair of legs standing nearby, then walking away.
- Citations
Big Publishing Office Girl: I just love cave men!
- Autres versionsIn addition to the 'My Vampire' and 'My Flapper' sequences, there was a third interlude involving the girl with the curls, where Harold finds her as a Mary Pickford-type milk maid. The scene does not survive (it was cut after a preview) but a photograph of the scene has appeared in several publications.
- ConnexionsFeatured in World of Comedy (1962)
Commentaire en vedette
This is an enjoyable feature with some good comedy and a good role for Harold Lloyd, giving him plenty of opportunities to show his athleticism and his slapstick skills while developing his character at the same time. The story follows the reliable pattern of pleasant light comedy as the plot takes shape, followed by an extended race-against-time sequence for the finale.
Lloyd's character is easy to sympathize with, despite his flaws and mistakes, and his stuttering and other habits help to make the character work. It's easy to identify with both his shyness and his overly-optimistic dreams, even when the character is completely self-deluded. Jobyna Ralston is effective as the gentle young rich woman, and their relationship's ups and downs are believably portrayed.
The pace is deliberate for the most part, until everything is set up for the climactic sequence. Lloyd gets to do some impressive stunts, and there are a lot of interesting details. One notable feature is that Harold makes use of almost every conceivable form of conveyance available at the time, which adds to the effect.
As is usual for a Lloyd feature, there are a lot of visual details here and there that often set off the main action nicely. The main character is just enough different from Lloyd's best-known roles to make him interesting yet largely familiar. The story is told effectively, with a couple of recurring visual references that work well in wordlessly conveying the characters' thoughts. The romance, comedy, and action make for an entertaining mix.
Lloyd's character is easy to sympathize with, despite his flaws and mistakes, and his stuttering and other habits help to make the character work. It's easy to identify with both his shyness and his overly-optimistic dreams, even when the character is completely self-deluded. Jobyna Ralston is effective as the gentle young rich woman, and their relationship's ups and downs are believably portrayed.
The pace is deliberate for the most part, until everything is set up for the climactic sequence. Lloyd gets to do some impressive stunts, and there are a lot of interesting details. One notable feature is that Harold makes use of almost every conceivable form of conveyance available at the time, which adds to the effect.
As is usual for a Lloyd feature, there are a lot of visual details here and there that often set off the main action nicely. The main character is just enough different from Lloyd's best-known roles to make him interesting yet largely familiar. The story is told effectively, with a couple of recurring visual references that work well in wordlessly conveying the characters' thoughts. The romance, comedy, and action make for an entertaining mix.
- Snow Leopard
- 21 déc. 2005
- Lien permanent
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Détails
Box-office
- Budget
- 400 000 $ US (estimation)
- Durée1 heure 27 minutes
- Mixage
- Rapport de forme
- 1.33 : 1
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