ÉVALUATION IMDb
7,0/10
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MA NOTE
Ajouter une intrigue dans votre langueWhen a man becomes tyrannical towards his family, the women of the house decide to teach him a lesson in gratitude.When a man becomes tyrannical towards his family, the women of the house decide to teach him a lesson in gratitude.When a man becomes tyrannical towards his family, the women of the house decide to teach him a lesson in gratitude.
Histoire
Le saviez-vous
- AnecdotesAt its original release in Paris, France, this film played in 57 theaters in three weeks.
- Citations
Opening Title Card: In the numerous streets of the Big City, house follows house, and in those houses, people live in layers - like wild birds carving their nests into the rock... nest above nest...
- Autres versionsA 107-minute version with English intertitles and an uncredited piano score was shown on the Turner Classic Movies (TCM) channel in 2006. It had no crew credits other than the director (as Carl Dreyer) and only three cast members: Johannes Meyer (as Johs Meyer), 'Astrid Holm' and Mathilde Nielsen. The English names used were John and Mary for the husband and wife, presumably to indicate a typical family, and "Nana" for the Wetnurse. The two older children were called Kathleen and Dick.
- ConnexionsEdited into Mathilde Nielsen - Kavalkade (1941)
Commentaire en vedette
After seeing this movie (along with many other Dreyer's movies) I still wonder why people think that this Danish director is kind of boring.
This is perfect example of what Dreyer's cinematography is and what is not. This is a film where you can find some gentle spirit lying beneath. Some sort of quietness that fulfils the whole movie. As in many other of his early movies, Dreyer puts the spectator in a superior level. We are given the opportunity to watch an everyday's scene: a woman subjugated to a spoilt man's will. We watch her wake up early in the morning, wash dishes, clean the whole house, prepare her husband's breakfast and all she gets in exchange is bad manners and retreats from him. The complot that the nanny builds up to make the man feel guilty and so, to make him behave, unfolds in a subtle and sometimes funny way, making the watching more enjoyable from the distance.
It's hard to describe the perfect acting that the main characters bring to this beautiful film; an acting full of details and emotion.
Enjoyable form the first frame to the last one, this film will work perfectly for Dreyer's fans as long as for those who ever thought this was a tough one. It's, probably, the perfect bridge to approach to Dreyer's masterpieces such as "Ordet" and "Gertrud".
Hope you like it as much as I did.
This is perfect example of what Dreyer's cinematography is and what is not. This is a film where you can find some gentle spirit lying beneath. Some sort of quietness that fulfils the whole movie. As in many other of his early movies, Dreyer puts the spectator in a superior level. We are given the opportunity to watch an everyday's scene: a woman subjugated to a spoilt man's will. We watch her wake up early in the morning, wash dishes, clean the whole house, prepare her husband's breakfast and all she gets in exchange is bad manners and retreats from him. The complot that the nanny builds up to make the man feel guilty and so, to make him behave, unfolds in a subtle and sometimes funny way, making the watching more enjoyable from the distance.
It's hard to describe the perfect acting that the main characters bring to this beautiful film; an acting full of details and emotion.
Enjoyable form the first frame to the last one, this film will work perfectly for Dreyer's fans as long as for those who ever thought this was a tough one. It's, probably, the perfect bridge to approach to Dreyer's masterpieces such as "Ordet" and "Gertrud".
Hope you like it as much as I did.
- Marc Ambit
- 26 sept. 2000
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- How long is Master of the House?Propulsé par Alexa
Détails
- Durée1 heure 51 minutes
- Mixage
- Rapport de forme
- 1.33 : 1
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By what name was Du skal ære din hustru (1925) officially released in India in English?
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