ÉVALUATION IMDb
7,3/10
14 k
MA NOTE
Une femme soupçonne que son nouveau locataire est le psychopathe qui tue des femmes à Londres.Une femme soupçonne que son nouveau locataire est le psychopathe qui tue des femmes à Londres.Une femme soupçonne que son nouveau locataire est le psychopathe qui tue des femmes à Londres.
June Tripp
- Daisy - A Mannequin
- (as June)
Wallace Bosco
- Pub Customer
- (uncredited)
Daisy Campbell
- Mother
- (uncredited)
Maudie Dunham
- First Victim
- (uncredited)
Reginald Gardiner
- Dancer at Ball
- (uncredited)
Eve Gray
- Showgirl Victim
- (uncredited)
Alfred Hitchcock
- Extra in Newspaper Office
- (uncredited)
Alma Reville
- Woman Listening to Wireless
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesFor the opening of this movie, Sir Alfred Hitchcock wanted to show the Avenger's murder victim being dragged out of the Thames River at night with the Charing Cross Bridge in the background, but Scotland Yard refused his request to film at the bridge. Hitchcock repeated his request several times, until Scotland Yard notified him that they would "look the other way" if he could do the filming in one night. Hitchcock quickly sent his cameras and actors out to Charing Cross Bridge to film the scene, but when the rushes came back from the developers, the scene at the bridge was nowhere to be found. Hitchcock and his assistants searched through the prints, but could not find it. Finally, Hitchcock discovered that his cameraman had forgotten to put the lens on the camera before filming the night scene.
- GaffesWhen The Lodger (Ivor Novello) and Daisy (June Tripp) are playing chess, but the board is set up inappropriately. The square in the right corner should always be white. In this case, the bottom-right square is dark (black). This is the most obvious when The Lodger (Ivor Novello) is poking the coals in the fireplace.
- Générique farfeluClosing credits: Thank you to everyone who supported the BFI's Silent Hitchcock restoration project.
- Autres versionsThe original version of The Lodger directed by Alfred Hitchcock in 1926 was restored in 1999 in honor of the directors 100th anniversary. The film was restored by the British National Film & TV Archives and a new score by Ashley Irwin was commissioned by ZDF/ARTE (Germany) and premiered on August 13, 1999 (what would have been Hitchcock's 100th birthday).
- ConnexionsEdited into Histoire(s) du cinéma: Une vague nouvelle (1999)
Commentaire en vedette
A stranger (Ivor Novello) in fog-bound London seeks accommodation from a family and they provide him with a small apartment upstairs. Their blond daughter is drawn towards this fascinating and somewhat mysterious gentleman. Her parents become suspicious of the intentions of the lodger and they live in fear of her safety. There is a serial killer abroad in the foggy streets and who knows? this stranger could be that maniac.
It is interesting to view an early Hitchcock film as far back as the silent era. I am surprised at the quality (despite a few scratches here and there). The addition of music is rather overdone in my opinion but it does fill in the empty silence and does add a dramatic effect. No doubt in the early days a capable pianist (below the screen) bashed out some impromptu music to fit the mood of each scene.
It is an uncomplicated story but that does not mean the guilty person is easily recognized (if at all!) Hitchcock likes to tease with a lodger who has shifty eyes, who paces the floor (what an original idea to photograph through a transparent floor), who has the wall pictures removed and who creeps out silently at night.
I feel that the atmosphere created is exceptional. Certainly a bit theatrical with exaggerated eye expressions but compelling nevertheless.
When you see a film of this vintage you realise how much film production had already advanced in the 20's and without the aid of all our recent technological contrivances.
It is interesting to view an early Hitchcock film as far back as the silent era. I am surprised at the quality (despite a few scratches here and there). The addition of music is rather overdone in my opinion but it does fill in the empty silence and does add a dramatic effect. No doubt in the early days a capable pianist (below the screen) bashed out some impromptu music to fit the mood of each scene.
It is an uncomplicated story but that does not mean the guilty person is easily recognized (if at all!) Hitchcock likes to tease with a lodger who has shifty eyes, who paces the floor (what an original idea to photograph through a transparent floor), who has the wall pictures removed and who creeps out silently at night.
I feel that the atmosphere created is exceptional. Certainly a bit theatrical with exaggerated eye expressions but compelling nevertheless.
When you see a film of this vintage you realise how much film production had already advanced in the 20's and without the aid of all our recent technological contrivances.
- raymond-15
- 29 août 2004
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Détails
Box-office
- Budget
- 12 000 £ (estimation)
- Brut – à l'échelle mondiale
- 83 568 $ US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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By what name was Les cheveux d'or (1927) officially released in India in English?
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