Ajouter une intrigue dans votre langueA convict, wrongfully accused and sent a harsh prison colony, attempts to escape.A convict, wrongfully accused and sent a harsh prison colony, attempts to escape.A convict, wrongfully accused and sent a harsh prison colony, attempts to escape.
Fred Twitchin
- Pine - Surgeon
- (as Fred Twitcham)
Histoire
Le saviez-vous
- AnecdotesA real sailing ship was burned for the climax. Called the "Inca", it was loaded with dynamite and nitrate film. The effect was spectacular, but countless early Australian films were lost in the blaze.
- GaffesOn two intertitles, Van Diemen's Land is misspelled as 'Van Dieman's Land'.
- ConnexionsFeatured in Forgotten Cinema: The Golden Age of Australian Motion Pictures (1967)
Commentaire en vedette
I have seen 'Term' several times now, and, while it is not the usual 'megaplex' kind of release, it is nonetheless a film which should be experienced. Admittedly, the narrative could have been more engaging; but at least it is a faithful reproduction of the original text, even if it did retain irritating Victorian plot devices, and the astoundingly unquestioned use of 'coincidence.'
There are truly out-of-the-ordinary settings, and some lush lighting, too. I loved the gothic touches. It is obvious that Norman Dawn had a very photographic eye. At times, though, it seems that the film is wanting us to notice the spectacle, rather than the characters (or at least, being engaged by their experiences).
As an Australian committed to the integrity and development of Australian culture and identity, of course I resent the employment of non-Australians in the film, but the Americans WERE adequate (it must be said). And George Fisher as Rufus just gets better as the film progresses.
If you like your film experiences to be pre-digested, with a straightforward narrative and offer no challenge, then don't bother with 'Term.' But if you can turn off your expectations of what a film should be, and watch with fresh eyes, you will find 'Term' to be an insight and an appetite-whetter.
There are truly out-of-the-ordinary settings, and some lush lighting, too. I loved the gothic touches. It is obvious that Norman Dawn had a very photographic eye. At times, though, it seems that the film is wanting us to notice the spectacle, rather than the characters (or at least, being engaged by their experiences).
As an Australian committed to the integrity and development of Australian culture and identity, of course I resent the employment of non-Australians in the film, but the Americans WERE adequate (it must be said). And George Fisher as Rufus just gets better as the film progresses.
If you like your film experiences to be pre-digested, with a straightforward narrative and offer no challenge, then don't bother with 'Term.' But if you can turn off your expectations of what a film should be, and watch with fresh eyes, you will find 'Term' to be an insight and an appetite-whetter.
- Molonglo
- 5 févr. 2002
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Détails
- Durée1 heure 41 minutes
- Mixage
- Rapport de forme
- 1.33 : 1
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By what name was For the Term of His Natural Life (1927) officially released in Canada in English?
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