ÉVALUATION IMDb
6,9/10
13 k
MA NOTE
Après avoir tué un homme en légitime défense, une jeune femme est la cible d'un chantage par un témoin du meurtre.Après avoir tué un homme en légitime défense, une jeune femme est la cible d'un chantage par un témoin du meurtre.Après avoir tué un homme en légitime défense, une jeune femme est la cible d'un chantage par un témoin du meurtre.
- Prix
- 2 victoires au total
Ex-Det. Sergt. Bishop
- The Detective Sergeant
- (as Ex-Det. Sergt. Bishop - Late C.I.D. Scotland Yard)
Johnny Ashby
- Boy
- (uncredited)
Joan Barry
- Alice White
- (voice)
- (uncredited)
Johnny Butt
- Sergeant
- (uncredited)
Alfred Hitchcock
- Man on Subway
- (uncredited)
Phyllis Konstam
- Gossiping Neighbour
- (uncredited)
Sam Livesey
- The Chief Inspector (silent version)
- (uncredited)
Phyllis Monkman
- Gossip Woman
- (uncredited)
Percy Parsons
- Crook
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesMuch of the filming originally was shot silently. When sound became available during the course of shooting, Sir Alfred Hitchcock reshot certain scenes with sound, thus making it his first talkie. There was one complication with this change, however. Leading lady Anny Ondra had a thick Czech accent which was inappropriate for her character, Alice White. Joan Barry was chosen to provide a different voice for her, but post-production dubbing technology did not exist then. The solution was for Barry to stand just out of shot and read Alice's lines into a microphone as Ondra mouthed them in front of the camera. [This is a major plot point of Chantons sous la pluie (1952), which is set in the era of movie studios moving from silent pictures to talkies.] This generally is acknowledged as the first instance of one actress' voice being dubbed by another, even though the word "dub" is technologically inappropriate in this case.
- GaffesWhen Alice "unlocks" the door to the building where she lives, it starts to open as soon as the key reaches the door. It clearly not only was not locked but also not latched. However, she goes through the motions of unlocking it.
Actually, all she does is insert the key into the lock, and the door pushes open. As Alice steps through the door, it can be seen that the key is still in the same position as when it was inserted into the lock.
- Citations
Alice White: You and your Scotland Yard! If it weren't for Edgar Wallace, no one would ever have heard of it.
- Autres versionsOriginally filmed as a silent movie, running 75 minutes; Hitchcock later added newly shot scenes and had other existing footage dubbed to create a talkie version, running 86 minutes.
- ConnexionsEdited into Der Zinker (1931)
- Bandes originalesMiss Up-to-Date
(1929) (uncredited)
Words by Frank Eyton and music by Billy Mayerl
Performed by Cyril Ritchard
Commentaire en vedette
Britain's first talkie, the 1929 "Blackmail," is directed by Alfred Hitchock, and even back then, it has many of his touches. The stars are Anny Ondra, Cyril Ritchard, John Longden, and Sara Allgood.
A young woman (Ondra) two-times her Scotland Yard inspector boyfriend (Longden) and goes out with an artist (Ritchard). Things get rough in his apartment, and he forces himself on her.
She kills him (a la Dial M for Murder). Her boyfriend finds her glove in the apartment and realizes she did it; the other glove was found by a criminal hanging around the artist's apartment building, and he decides to blackmail the inspector.
Hitchcock more than appears in this film; he has a bit with a little boy on a subway. The film is strange in that the beginning is silent with no title cards. Then suddenly, there is sound.
It moves quite slowly, with not much in the way of action. The story builds slowly, and the scene in the artist's apartment is quite long before anything happens.
Nevertheless, the Hitchcock touches are there. A pivotal scene happens at the British Museum - Hitchcock's upheaval in familiar places. And in the jail scene, there's a sound the director often described as being terrifying in his childhood when his father had the local police teach him a lesson - the jail door closing.
The very pretty Ondra, wife of boxer Max Schmelling, is dubbed here. Ritchard in 1929 is not recognizable as Captain Hook.
Worth seeing - it's early Hitchcock and it's an 80-year-old movie. Mind-boggling.
A young woman (Ondra) two-times her Scotland Yard inspector boyfriend (Longden) and goes out with an artist (Ritchard). Things get rough in his apartment, and he forces himself on her.
She kills him (a la Dial M for Murder). Her boyfriend finds her glove in the apartment and realizes she did it; the other glove was found by a criminal hanging around the artist's apartment building, and he decides to blackmail the inspector.
Hitchcock more than appears in this film; he has a bit with a little boy on a subway. The film is strange in that the beginning is silent with no title cards. Then suddenly, there is sound.
It moves quite slowly, with not much in the way of action. The story builds slowly, and the scene in the artist's apartment is quite long before anything happens.
Nevertheless, the Hitchcock touches are there. A pivotal scene happens at the British Museum - Hitchcock's upheaval in familiar places. And in the jail scene, there's a sound the director often described as being terrifying in his childhood when his father had the local police teach him a lesson - the jail door closing.
The very pretty Ondra, wife of boxer Max Schmelling, is dubbed here. Ritchard in 1929 is not recognizable as Captain Hook.
Worth seeing - it's early Hitchcock and it's an 80-year-old movie. Mind-boggling.
- blanche-2
- 28 mars 2009
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Détails
Box-office
- Brut – à l'échelle mondiale
- 160 $ US
- Durée1 heure 25 minutes
- Couleur
- Rapport de forme
- 1.20 : 1
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