ÉVALUATION IMDb
6,1/10
1,5 k
MA NOTE
Ajouter une intrigue dans votre languePrime Minister of Great Britain Benjamin Disraeli outwits the subterfuge of the Russians and chicanery at home in order to secure the purchase of the Suez Canal.Prime Minister of Great Britain Benjamin Disraeli outwits the subterfuge of the Russians and chicanery at home in order to secure the purchase of the Suez Canal.Prime Minister of Great Britain Benjamin Disraeli outwits the subterfuge of the Russians and chicanery at home in order to secure the purchase of the Suez Canal.
- A remporté 1 oscar
- 5 victoires et 2 nominations au total
Michael Visaroff
- Count Borsinov
- (as Michael Visocoff S.T.)
George Atkinson
- Hyde Park Speaker
- (uncredited)
Ted Billings
- Man in Hyde Park Audience
- (uncredited)
Norman Cannon
- Mr. Foljambe - Disraeli's Secretary
- (uncredited)
Henry Carvill
- Duke of Glastonbury
- (uncredited)
Jack Deery
- Bascot - Disraeli's Butler
- (uncredited)
Charles E. Evans
- Mr. Potter - Disraeli's Gardener
- (uncredited)
Shayle Gardner
- Dr. Williams
- (uncredited)
Gwendolyn Logan
- Duchess of Glastonbury
- (uncredited)
Margaret Mann
- Queen Victoria
- (uncredited)
Tom McGuire
- Extra as House of Commons Member
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe film was re-released in 1934, at which time the title credits were re-done, Arliss given billing as "Mr. George Arliss," and an NRA (National Recovery Act) emblem added; this is the version which presently survives. Unfortunately, the remainder of the film is cropped off the left side, in order to accommodate the sound-on-film system track, which had, by then, replaced the now obsolete Vitaphone sound-on-disc system, and required a slightly narrower picture image as a result. Some pre-Code footage, about three minutes, was also deleted and is believed to be lost.
- Citations
Lord Charles Deeford: I do not discuss politics with women.
Benjamin Disraeli: I do.
- Autres versionsThe original 1929 release ran 90 minutes; shortened by three minutes for a re-release in 1934. All current prints are the 87-minute re-release version.
- ConnexionsFeatured in The Voice That Thrilled the World (1943)
- Bandes originalesRule Britannia
(1740)
Music by Thomas Augustine Arne
Words by James Thomson
Played during the opening credit
Commentaire en vedette
Actually really like biographical films, although they do play fast and loose with the truth many are extremely well made, written and acted ('Amadeus' for example is one of my all time favourites). Benjamin Disraeli was a very fascinating if controversial historical figure. George Arliss was a fine actor, one of my favourite performances of his being 'The Man Who Played God'. Have always loved classic film and there are some great films from the 20s, with some good early talkies ('Applause).
'Disraeli' is definitely an interesting film, for the subject matter, to see whether Arliss' Oscar win and the screenplay and Best Picture nominations were deserved, to see what early talkies were like and to see a film portrayal of Disraeli. So historical interest. While it is easy to see why there are some that got a lot of value out of 'Disraeli', it does pain me to say that it didn't quite gel with me and can see why others don't care for it. As it is an easy film to criticise, even when judging it for the time where film-making was very different but a lot more interesting back then than what is seen here. A case of a lead performance that deserved a much better film.
The best thing about 'Disraeli' is Arliss, who is truly marvellous and that is an understatement. He is so charismatic with a magnetic presence that has a mix of understated and larger than life, succeeding in making Disraeli a complex and interesting person. Florence Arliss, his real life wife, is dignified and charming and their chemistry is lovely to watch. A beautiful looking Joan Bennett in an early role is also charming.
Some nice political intrigue is present, the script is at its best with Arliss' wryness the costumes are handsome and Arliss is made up very believably.
Having said that, the rest of the acting for my tastes was too wooden and histrionic. Particularly Anthony Bushell in the former category, who has a romantic subplot that is very flimsily written and dull. Visually, 'Disraeli' is too static and not a very good job at all is done opening up the action in a very claustrophobically shot film that gives the film a filmed stage play look, even by early talkie standards.
Will agree with those that find 'Disraeli' too talk heavy and that too much of it is not very engrossing, the flow is also pretty stilted. The pace can veer on dull, the political angle could have done with more tension. Of the Oscar nominations, only Arliss' (who won) for Best Actor was deserved. The other two were puzzling and not in the same league as the films that won in the categories.
Overall, watchable and interesting, and Arliss is so good, but didn't quite gel for me. 5/10
'Disraeli' is definitely an interesting film, for the subject matter, to see whether Arliss' Oscar win and the screenplay and Best Picture nominations were deserved, to see what early talkies were like and to see a film portrayal of Disraeli. So historical interest. While it is easy to see why there are some that got a lot of value out of 'Disraeli', it does pain me to say that it didn't quite gel with me and can see why others don't care for it. As it is an easy film to criticise, even when judging it for the time where film-making was very different but a lot more interesting back then than what is seen here. A case of a lead performance that deserved a much better film.
The best thing about 'Disraeli' is Arliss, who is truly marvellous and that is an understatement. He is so charismatic with a magnetic presence that has a mix of understated and larger than life, succeeding in making Disraeli a complex and interesting person. Florence Arliss, his real life wife, is dignified and charming and their chemistry is lovely to watch. A beautiful looking Joan Bennett in an early role is also charming.
Some nice political intrigue is present, the script is at its best with Arliss' wryness the costumes are handsome and Arliss is made up very believably.
Having said that, the rest of the acting for my tastes was too wooden and histrionic. Particularly Anthony Bushell in the former category, who has a romantic subplot that is very flimsily written and dull. Visually, 'Disraeli' is too static and not a very good job at all is done opening up the action in a very claustrophobically shot film that gives the film a filmed stage play look, even by early talkie standards.
Will agree with those that find 'Disraeli' too talk heavy and that too much of it is not very engrossing, the flow is also pretty stilted. The pace can veer on dull, the political angle could have done with more tension. Of the Oscar nominations, only Arliss' (who won) for Best Actor was deserved. The other two were puzzling and not in the same league as the films that won in the categories.
Overall, watchable and interesting, and Arliss is so good, but didn't quite gel for me. 5/10
- TheLittleSongbird
- 2 mars 2021
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Détails
- Durée1 heure 30 minutes
- Couleur
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