Ajouter une intrigue dans votre langueA re-edited version of the 'modern' story from Intolerance: Love's Struggle Throughout the Ages (1916).A re-edited version of the 'modern' story from Intolerance: Love's Struggle Throughout the Ages (1916).A re-edited version of the 'modern' story from Intolerance: Love's Struggle Throughout the Ages (1916).
Photos
Mae Marsh
- The Little Dear One
- (archive footage)
Robert Harron
- The Boy
- (archive footage)
Miriam Cooper
- The Friendless One
- (archive footage)
Vera Lewis
- Miss Mary T. Jenkins
- (archive footage)
Sam De Grasse
- Arthur Jenkins
- (archive footage)
Clyde E. Hopkins
- Arthur Jenkins' Secretary
- (archive footage)
F.A. Turner
- The Dear One's Father
- (archive footage)
- (as Fred Turner)
Walter Long
- The Musketeer of the Town
- (archive footage)
Ralph Lewis
- The Governor
- (archive footage)
Tom Wilson
- The Kindly Heart
- (archive footage)
A.W. McClure
- The Priest
- (archive footage)
Lloyd Ingraham
- The Judge
- (archive footage)
William Brown
- The Warden
- (archive footage)
- (as William A. Brown)
Max Davidson
- The Kindly Neighbor
- (archive footage)
Alberta Lee
- The Wife of the Kindly Neighbor
- (archive footage)
Frank Brownlee
- The Brother of the Girl
- (archive footage)
Barney Bernard
- Attorney for the Boy
- (archive footage)
Luray Huntley
- An Uplifter
- (archive footage)
Histoire
Le saviez-vous
- AnecdotesA print of this film survives in the UCLA Film and Television Archives.
- ConnexionsEdited from Intolerance: Love's Struggle Throughout the Ages (1916)
Commentaire en vedette
THE MOTHER AND THE LAW was a re-released version of the modern arc from Griffith's 1916 INTOLERANCE.
The film does very well as a standalone film with only a few glitches where something seems left out (odd references to things we have not seen) or where blanks were left in as the episodes were stitched together from the original film.
In any case the performances remain quite strong with Mae Marsh scoring well as "the Dear One." Even the staccato ending from the original still works as one consecutive piece with Robert Harron going to the gallows. Miriam Cooper, as "the Friendless One" has a much bigger role than I remembered and was quite beautiful. I also had forgotten the incredible closeups Griffith gives the three stars.
Oddly, one "flashback" scene remains from INTOLERANCE. In the middle of the story we get a short scene from the Nazarene arc with the adulterous woman about to be stoned (shades of Iran!).
Strong story and very well done. Quite an indictment of "uplifting" societies as well as the sociology of slums.
Co-stars include Vera Lewis, Ralph Lewis, Sam DeGrasse, Walter Long, Mary Aldon, Marguerite Marsh, Max Davidson, and Kate Bruce.
The film does very well as a standalone film with only a few glitches where something seems left out (odd references to things we have not seen) or where blanks were left in as the episodes were stitched together from the original film.
In any case the performances remain quite strong with Mae Marsh scoring well as "the Dear One." Even the staccato ending from the original still works as one consecutive piece with Robert Harron going to the gallows. Miriam Cooper, as "the Friendless One" has a much bigger role than I remembered and was quite beautiful. I also had forgotten the incredible closeups Griffith gives the three stars.
Oddly, one "flashback" scene remains from INTOLERANCE. In the middle of the story we get a short scene from the Nazarene arc with the adulterous woman about to be stoned (shades of Iran!).
Strong story and very well done. Quite an indictment of "uplifting" societies as well as the sociology of slums.
Co-stars include Vera Lewis, Ralph Lewis, Sam DeGrasse, Walter Long, Mary Aldon, Marguerite Marsh, Max Davidson, and Kate Bruce.
- drednm
- 3 oct. 2010
- Lien permanent
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Détails
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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By what name was The Mother and the Law (1919) officially released in Canada in English?
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