Un réalisateur met en scène ce qui pourrait être son dernier spectacle à Broadway et, au dernier moment, un nouveau venu naïf doit remplacer la star principale.Un réalisateur met en scène ce qui pourrait être son dernier spectacle à Broadway et, au dernier moment, un nouveau venu naïf doit remplacer la star principale.Un réalisateur met en scène ce qui pourrait être son dernier spectacle à Broadway et, au dernier moment, un nouveau venu naïf doit remplacer la star principale.
- Nommé pour 2 oscars
- 2 victoires et 2 nominations au total
- Jerry
- (uncredited)
- Chorus Girl
- (uncredited)
- Chorus Girl
- (uncredited)
- Chorus Girl
- (uncredited)
- Chorus Girl
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe film was so financially successful it saved Warner Brothers from bankruptcy.
- GaffesThe opening screen says "COPYRIGHT MCMXXXIII" (i.e., 1933), but the closing credits say "COPYRIGHT MCMXXXII" (i.e., 1932).
- Citations
Julian Marsh: Sawyer, you listen to me, and you listen hard. Two hundred people, two hundred jobs, two hundred thousand dollars, five weeks of grind and blood and sweat depend upon you. It's the lives of all these people who've worked with you. You've got to go on, and you've got to give and give and give. They've got to like you. Got to. Do you understand? You can't fall down. You can't because your future's in it, my future and everything all of us have is staked on you. All right, now I'm through, but you keep your feet on the ground and your head on those shoulders of yours and go out, and Sawyer, you're going out a youngster but you've got to come back a star!
- Autres versionsA digitally restored and colorized version was recently released.
- ConnexionsEdited into Musical Memories (1946)
- Bandes originales42nd Street
(1932) (uncredited)
Lyrics by Al Dubin
Music by Harry Warren
Played during the opening credits and often in the score
Sung and Danced by Ruby Keeler
Sung by Dick Powell and chorus girls
Warner Baxter gives the best performance of his career as the driven director who verges on madness. Dick Powell is delightful as the juvenile; many who only know him from his later films are not aware that he had a beautiful tenor voice and made his first splash in films as a singer and light comedian. Ginger Rogers is perfect as the slightly dishonorable chorus girl with the sugar daddy and Una Merkle playing Ginger's pal is surprisingly cute. Bebe Daniels is beautiful as the star of the play and does a great rendition of "You're Getting To Be A Habit With Me"., The rest of the supporting cast is right on target...with some good support from Ned Sparks, Guy Kibbee and the ubiquitous George E. Stone.
A lot got by the censors in this film to the delight of the audience....things were tightened up the next year as the Hayes Office started cracking down. Enjoy this film...enjoy, enjoy, and enjoy!!
- Bucs1960
- 20 déc. 2001
- Lien permanent
Meilleurs choix
- How long is 42nd Street?Propulsé par Alexa
Détails
Box-office
- Budget
- 439 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 1 800 $ US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1