Pat O'Brien plays John O'Malley, a New York City beat cop who thinks that enforcing the law is all mechanics and no heart. He tickets businessmen for having awnings that are inches too long, threatens to cite his own mother for spreading debris when she feeds bread to the pigeons from her kitchen window, and cites John Phillips (Humphrey Bogart) for a loud muffler when he is on his way to the first job he has had in years - remember this is the Great Depression. This sets off a string of tragic events starting with Phillips being late to his job and thus losing it, then being too proud to tell his wife and crippled daughter (Sybil Jason) that he lost the job, and finally an altercation at a pawn shop where Phillips was trying to pawn his gun and WWI medals that turns into a robbery. Philips goes to prison, and O'Malley becomes the laughing stock of the force and a target of the press as an example of law enforcement abuse.
All the while, O'Malley holds tight to his belief that he is just doing his job by enforcing all the law the all the time by the book. His captain wants his resignation, and when O'Malley won't give it, he has him assigned to public school crossing guard duty. The captain believes this will break or make the man. Did I mention that Phillips' little daughter goes to the same elementary school where O'Malley is assigned, and they strike up a friendship, neither one knowing who the other is? A romantic and humanizing interest comes in the person of Ann Sheridan as a schoolteacher at the elementary school.
This is a pleasant little early production code era entry, with O'Brien playing the same kind of hard boiled egg he played before the code, but this time donning a policeman's uniform. The only negative in the film, in my opinion, was a common device in films of the mid 30's - a child that is sickly-sticky sweet (Sybil Jason's character) over-sentimentalizing matters and sucking the adult cast into more than a few silly situations. However, at least here the child star is central to the plot. All in all, recommended especially for fans of Pat O'Brien and Ann Sheridan and anybody that is interested in a film in which Sybil Jason is actually billed above Humphrey Bogart - an odd sight indeed some 75 years later.
