ÉVALUATION IMDb
7,0/10
3,1 k
MA NOTE
Ajouter une intrigue dans votre langueA brilliant Park Avenue doctor becomes a criminal in order to do research into the criminal mind.A brilliant Park Avenue doctor becomes a criminal in order to do research into the criminal mind.A brilliant Park Avenue doctor becomes a criminal in order to do research into the criminal mind.
Edgar Dearing
- Patrolman
- (scenes deleted)
Histoire
Le saviez-vous
- AnecdotesHumphrey Bogart later said that the role of "Rocks" Valentine was one of his least favorites.
- GaffesNear the end of the movie there is a montage of newspaper headlines, the word PSYCHIATRIST is misspelled in the headline.
- Citations
Dr. T.S. Clitterhouse: Now, just relax, counselor. Nothing to be jittery about.
Grant: My dear boy, I've had over a hundred clients face the electric chair. I've never been jittery.
Dr. T.S. Clitterhouse: But your clients were.
- ConnexionsFeatured in Bullets Over Hollywood (2005)
- Bandes originalesEine kleine Nachtmusik, 1st movement
(1787) (uncredited)
Music by Wolfgang Amadeus Mozart
Played on the phonograph
Commentaire en vedette
The Amazing Dr. Clitterhouse (1938)
Don't get your hopes up for a lost Warner Bros. classic. This is good stuff, fun and all, and it does star Edward G. Robinson in his prime, but the plot is too clever and cute for its own good, and the lighthearted feel makes it sometimes almost trivial. As if the movie makers themselves know this is a throwaway.
Not to knock it too hard. It does have Humphrey Bogart about to become a famous star, and it has Claire Trevor in the role as a moll (which is a bit odd for her, but you should see her in "Born to Kill" for her best at this).
Robinson plays a doctor who is so detached from reality he decides to research the physiology of criminals while they are committing a crime (pupil dilation, blood pressure, etc.). And since that's hard to do, he starts doing his own crimes. And since he's a celebrated doctor, he gets away with all of them. At first you think, how fun! And you expect it to really wind up into either a crazy comedy or a real crime thriller with the downfall of this great man.
It avoids either and ends up in a kind of compromise. It's sometimes funny, and it has elements of watching this man get himself cornered by his own activities. There is no pathos here, however, and the humor is breezy, not hilarious. Bogart and Trevor are the more serious side, but they are used to offset Robinson in his slightly silly role. In all, the plot churns along and you end up enjoying the details, the acting, the dark Warner Bros. filming.
The director is worth noting. Anatole Litvak, whose style using dramatic light and moving camera is evident here. He also had a tendency for melodrama, which is not apparent at all. He had just come to the US for a four year contract with the huge Warner Bros. and this was his second film with them. I assume that required adjustment. You can, oddly, still (perhaps) feel his style in the way scenes are laid out and shot.
A well-made but trivial film? There were lots of them, and this is completely enjoyable. And Robinson, as always, is wonderful.
Don't get your hopes up for a lost Warner Bros. classic. This is good stuff, fun and all, and it does star Edward G. Robinson in his prime, but the plot is too clever and cute for its own good, and the lighthearted feel makes it sometimes almost trivial. As if the movie makers themselves know this is a throwaway.
Not to knock it too hard. It does have Humphrey Bogart about to become a famous star, and it has Claire Trevor in the role as a moll (which is a bit odd for her, but you should see her in "Born to Kill" for her best at this).
Robinson plays a doctor who is so detached from reality he decides to research the physiology of criminals while they are committing a crime (pupil dilation, blood pressure, etc.). And since that's hard to do, he starts doing his own crimes. And since he's a celebrated doctor, he gets away with all of them. At first you think, how fun! And you expect it to really wind up into either a crazy comedy or a real crime thriller with the downfall of this great man.
It avoids either and ends up in a kind of compromise. It's sometimes funny, and it has elements of watching this man get himself cornered by his own activities. There is no pathos here, however, and the humor is breezy, not hilarious. Bogart and Trevor are the more serious side, but they are used to offset Robinson in his slightly silly role. In all, the plot churns along and you end up enjoying the details, the acting, the dark Warner Bros. filming.
The director is worth noting. Anatole Litvak, whose style using dramatic light and moving camera is evident here. He also had a tendency for melodrama, which is not apparent at all. He had just come to the US for a four year contract with the huge Warner Bros. and this was his second film with them. I assume that required adjustment. You can, oddly, still (perhaps) feel his style in the way scenes are laid out and shot.
A well-made but trivial film? There were lots of them, and this is completely enjoyable. And Robinson, as always, is wonderful.
- secondtake
- 7 sept. 2013
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- How long is The Amazing Dr. Clitterhouse?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Amazing Doctor Clitterhouse
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was The Amazing Dr. Clitterhouse (1938) officially released in India in English?
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