ÉVALUATION IMDb
6,3/10
7,2 k
MA NOTE
Un juré dans un procès pour meurtre, après avoir voté pour la condamnation, a des doutes et commence à enquêter par lui-même avant l'exécution.Un juré dans un procès pour meurtre, après avoir voté pour la condamnation, a des doutes et commence à enquêter par lui-même avant l'exécution.Un juré dans un procès pour meurtre, après avoir voté pour la condamnation, a des doutes et commence à enquêter par lui-même avant l'exécution.
Amy Brandon Thomas
- Defending Counsel
- (as Amy Brandon-Thomas)
Histoire
Le saviez-vous
- AnecdotesThis is the first film in which a person's thoughts are presented on the soundtrack.
- GaffesWhen Sir John and the Markhams discuss their next move in front of the boarding house (and Hitchcock makes his cameo appearance by walking in front of them), an old-style floor microphone is plainly visible near the left edge of the screen.
- Citations
Prosecuting Counsel: I need not remind you that in the eyes of the law, men and women are equal. The crime of murder, in England at least, is judged dispassionately. Neither beauty nor youth no provocation, can be...
- Autres versionsThe UK version includes approximately 12 minutes of footage cut from the USA release. The extra footage occurs primarily in two sequences:
- Additional jury deliberations prior to the introduction of Herbert Marshall as Sir John.
- After the discovery of the broken basin in the playhouse dressing room, there is a lengthy sequence showing Sir John paying the stagehand who granted him entrance and leaving with the Markhams. The scene fades to the end of the day, with the weary trio stopping at the door of "the policeman's rooming house", where Sir John had planned to stay the night. Noticing the shabby neighborhood, he starts to change his mind and retire to his luxury hotel suite, but Ted Markham reminds him of his hope to discover further clues at the rooming house. Fade in to Sir John in bed the next morning, being awakened by the sound of crying children. The landlady (Una O'Connor, billed in the USA credits although all her scenes are cut) enters and regales Sir John with her troubles. Meanwhile, her children play on and around the bed and give him a kitten, which crawls under his covers. The landlady confirms that the suspected killer had access to a police uniform. Enter Ted Markham, whose ensuing dialogue with Sir John reinforces the importance of the "second" policeman and establishes the existence of the blood-stained cigarette case, both of which ultimately prove critical in solving the murder. Here, the scene cuts to the prison where the USA version picks up with Sir John's interview of Norah Baring.
- ConnexionsAlternate-language version of Mary (1931)
- Bandes originalesSymphony No.5 in C Minor, Op.67
(1809) (uncredited)
Music by Ludwig van Beethoven
Played during the opening credits
Commentaire en vedette
This was one of the few times that Alfred Hitchcock filmed one of his stories as a "whodunit" in which you are not sure until the end who committed the crime. "Murder!" is often slow-moving, but it has some good features, and is worth watching the whole way through. It was one of Hitchcock's earliest sound pictures, and he tried some new things here, some of which work quite well.
Herbert Marshall stars as Sir John, a famous actor who sits on a jury for a murder case. After the case is decided, Sir John starts having second thoughts over whether the verdict was really correct, and he decides to investigate on his own. His investigation itself moves rather slowly, but it has some entertaining moments. Everyone connected with the murder was part of a theater group, and Hitchcock gets some good mileage out of having the characters alternate between their real identities and their stage roles. There are some pretty good scenes, most especially the one of the jury's deliberations - it is quite amusing, and a not-too-subtle example of Hitchcock's lack of confidence in the infallibility of the legal system.
There is not very much of the suspense for which Hitchcock is famous, but instead there is some subtle humor and a lot of atmospheric detail. While not having the sustained excitement of Hitchcock's best films, "Murder!" is still worthwhile as a slightly different kind of film by the great director.
Herbert Marshall stars as Sir John, a famous actor who sits on a jury for a murder case. After the case is decided, Sir John starts having second thoughts over whether the verdict was really correct, and he decides to investigate on his own. His investigation itself moves rather slowly, but it has some entertaining moments. Everyone connected with the murder was part of a theater group, and Hitchcock gets some good mileage out of having the characters alternate between their real identities and their stage roles. There are some pretty good scenes, most especially the one of the jury's deliberations - it is quite amusing, and a not-too-subtle example of Hitchcock's lack of confidence in the infallibility of the legal system.
There is not very much of the suspense for which Hitchcock is famous, but instead there is some subtle humor and a lot of atmospheric detail. While not having the sustained excitement of Hitchcock's best films, "Murder!" is still worthwhile as a slightly different kind of film by the great director.
- Snow Leopard
- 3 juin 2001
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Enter Sir John
- Lieux de tournage
- Elstree Studios, Borehamwood, Hertfordshire, Angleterre, Royaume-Uni(studio: A British International Production made at Elstree, London)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 44 minutes
- Couleur
- Rapport de forme
- 1.20 : 1
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