More than a few movie stars have learned their craft through the Yale School of Acting, including Meryl Streep, Paul Newman, and Sigourney Weaver. But not many professors teaching at the Ivy League university have become successful Hollywood actors. Monty Woolley was one of the most noteworthy dramatic instructors at Yale to make a go in movies. He earned the first of two Academy Awards Best Actor nominations for his role in August 1942's "The Pied Piper," as a Brit on a fishing vacation who finds himself leading a group of youngsters to freedom. The movie so impressed the Academy members they nominated it for Best Picture.
Nicknamed "The Beard," Woolley, a Manhattan native, taught English and Drama at Yale before directing Broadway plays beginning in 1929, followed by small roles in Hollywood starting in 1936. In his first film lead, 1942 "The Man Who Came to Dinner," Woolley re-enacted his stage role of the same name. "The Pied Piper" came next, causing him to admire his own acting talents, but was even more proud of his trademark beard. "Take the beards away from Santa Claus and Bluebeard and what do you have?" asked Woolley. "Nothing but a pair of middle-aged, overstuffed bores."
In "The Pied Piper," Woolley, 64, plays Howard, an Englishman visiting France near the border of Switzerland when the Germans invade. Anxious to return home, he reluctantly takes his hosts' two children, Ronnie (Roddy McDowall) and Sheila (Peggy Ann Garner) to their relatives in England. On his way via train, Howard and company run into a number of obstacles while collecting other children along the way. One child includes the Jewish niece of Nazi officer Major Diessen (Otto Preminger), who wants Howard, who's his prisoner, to take her out of France. The Nunnally Johnson-written script adapted from Nevil Shute's 1942 novel of the same name emphasizes British patriotism as well as a critique on Nazi cruelty. The negative criticism of the Nazis in the movie would never have been permitted by the Hays Office censors before Pearl Harbor, but six months after the Japanese attack the honest portrayal of the German government was allowed.
Woolley had many fans, with an equal amount of critics who didn't particularly appreciate his brand of acting. Critic Erik Beck harped on his on-screen demeanor, claiming, "His acting seems to consist of standing around, blustering, and generally acting irritated. Wooley isn't a bad actor, but he's just bluster." Film reviewer Lura Grieve countered, "I have a soft spot for Monty Woolley, who was so good in films." His role as the guardian for the kids won him the Best Actor award from the National Board of Review.
"The Pied Piper" was the first film to star Otto Preminger, 37. The Austria-Hungary born director moved to the United States with his family at the outbreak of World War One. His first passion was the stage, both acting and directing. Handling four pictures in the 1930s, he increased his directing in the mid-1940s by producing a number of classics, including 1944 "Laura" and 1959 "Anatomy of a Murder." His performance as Major Diessen in "The Pied Piper" opened the eyes of the studios, pigeonholing him in a number roles playing German WW2 officers, including Colonel von Scherback in 1953's "Stalag 17."
Besides the Academy Awards nominations for Best Picture and Woolley's Best Actor, "The Pied Piper" earned Edward Cronjager his third of seven Best Cinematographer (Black-and-White) nominations.
