Tomorrow We Live

1942
Approved
1h 25m

ÉVALUATION IMDb

6,3/10

278

MA NOTE

John Clements and Greta Gynt in Tomorrow We Live (1942)

Drama Romance Thriller War

Ajouter une intrigue dans votre langueA mayor's daughter poses as collaborator to help British agent escape to England with vital information to help the allied war effort.A mayor's daughter poses as collaborator to help British agent escape to England with vital information to help the allied war effort.A mayor's daughter poses as collaborator to help British agent escape to England with vital information to help the allied war effort.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

6,3/10

278

MA NOTE

Voir l’information sur la production à IMDbPro

Photos77

+ 71

Plus de résultats de ce genre

Histoire

Modifier

Le saviez-vous

Modifier

Anecdotes
This film's earliest documented USA telecasts took place as the second entry in the American Broadcasting Company's short-lived First Nighter Theater television series. It first aired in New York City on WJZ (Channel 7) and in Chicago on WENR (Channel 7) and in Detroit on WXYZ (Channel 7) Wednesday 25 October 1950; in Baltimore Sunday 5 November 1950 on WAAM (Channel 13), in Cincinnati Sunday 12 November 1950 on WLW-T (Channel 4), in San Francisco Monday 13 November 1950 on KGO (Channel 7), in Los Angeles Tuesday 9 January 1951 on KECA (Channel 7),

Générique farfelu
The last shot shows a Cross of Lorraine, with the tile of the movie in a large arc, and with the following text underneath - "... the growing light of dawn red-hued but clear ..." The source of the text is unknown but could be based on Proverbs 4: 18 "But the path of the just is as the shining light, that shineth more and more unto the perfect day."

Bandes originales
La Marseillaise
(uncredited)
Written by Claude Joseph Rouget de Lisle
Sung by the hostages, and also heard during open titles and occasionally as a theme

Commentaires des utilisateurs10

Commentaire en vedette

8/10

Cruel but efficient resistance drama

What is striking in this film is the grim realism which makes a very authentic impression. You might object against the outrageous cruelties, and there are no small number of casualties here, but rarher a majority of all the actors. Still there are some breaths of fresh air, some puffs of good humour, some moments of humanity, but we have to remember that 1943 was perhaps the grimmest of the war years, and we who live so long afterwards can have no idea of how it really was, except by films such as this, made in the middle of horrendous crisis; and another idea to cheer it up could be that the leading actor John Clements actually looks like James Stewart, and James Stewart would have been perfect in the role. He never made any French parts except one, which was a failure, but John Clements is perfect as a Frenchman and could be a good replacement for James Stewart.