ÉVALUATION IMDb
7,1/10
10 k
MA NOTE
Un ancien pilote de bombardier est soupçonné du meurtre de sa femme infidèle.Un ancien pilote de bombardier est soupçonné du meurtre de sa femme infidèle.Un ancien pilote de bombardier est soupçonné du meurtre de sa femme infidèle.
- Nommé pour 1 oscar
- 1 victoire et 1 nomination au total
Bea Allen
- News Clerk
- (uncredited)
Harry Barris
- Bellhop
- (uncredited)
George Barton
- Cab Driver
- (uncredited)
Mary Bayless
- Bar Patron
- (uncredited)
Edward Biby
- Restaurant Patron
- (uncredited)
Nina Borget
- Mexican Waitress
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe pressure of having to finish the screenplay combined with the curveball of having to write an entirely new ending was too much for Raymond Chandler. He quickly came down with a severe case of writer's block. According to a near-legendary story, Chandler offered to finish the screenplay by working drunk; in exchange for sacrificing his health to produce the requisite pages on time, Chandler was permitted to work at home (a privilege rarely granted to screenwriters) and was provided two chauffeured cars, one to convey the completed pages to the studio and the other for his wife. Chandler turned the script in on time. Many now believe the drunkenness was simply a ruse by Chandler to wrangle extraordinary privileges from the desperate studio.
- GaffesJoyce tells Johnny that the tide is out. Clearly the tide is all the way in, completely covering the beach.
- Citations
Joyce Harwood: Well, don't you even say 'Good night'?
Johnny Morrison: It's "good-bye", and it's tough to say good-bye.
Joyce Harwood: Why is it? You've never seen me before tonight.
Johnny Morrison: Every guy's seen you before somewhere. The trick is to find you.
- ConnexionsFeatured in The Hollywood Collection: Alan Ladd: The True Quiet Man (1999)
Commentaire en vedette
Raymond Chandler wrote this script and it is him through and through, I think. It's a very bleak tale of returning war veterans' findings when they reach "home." Unfaithful wife, hoodlums, and just general corruption and bleakness. The scenes with Veronica Lake are the shafts of light in this one's blackness (what did you expect, she's Veronica Lake, one of the most beautiful screen starlet ever), but all in all it conjours up dark images in one's mind. I once heard someone argue that this wasn't film noir. I disagree as much as I can. There is much inner struggle in the characters, settings of bleakness, amnesia, corruption everywhere, unfaithful spouses, murders, cops, criminals, and finally the dark visual expression (with rain as an added bonus). Do not miss this film.
- kimXcore
- 2 déc. 1998
- Lien permanent
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Détails
Box-office
- Brut – États-Unis et Canada
- 2 700 000 $ US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
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