ÉVALUATION IMDb
7,0/10
8,5 k
MA NOTE
Un homme et sa seconde femme sont hantés par le fantôme de sa première femme.Un homme et sa seconde femme sont hantés par le fantôme de sa première femme.Un homme et sa seconde femme sont hantés par le fantôme de sa première femme.
- A remporté 1 oscar
- 1 victoire et 1 nomination au total
Jacqueline Clarke
- Edith
- (as Jaqueline Clarke)
Marie Ault
- Cook
- (uncredited)
Noël Coward
- Narrator
- (uncredited)
Johnnie Schofield
- R.A.C. Man Directing Traffic
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesWriter and director Sir David Lean and cinematographer Ronald Neame decided not to use double exposure to create Elvira's ghostly appearances. Instead, Lean created an enormous set that allowed Kay Hammond to move freely in each shot. Hammond wore fluorescent green clothes, make-up, and a wig, with bright red lipstick and fingernail polish. Each time she moved, a special light would be directed on her, allowing her figure to glow even in dimly-lit scenes and giving her an otherworldly appearance.
- GaffesAfter the séance, when Elvira first appears, she flops onto the settee by the fire. As her dress billows, it can be seen that the green ghostly makeup ends half-way up her leg, showing normal skin above the makeup line.
- Citations
Charles Condomine: It's discouraging to think how many people are shocked by honesty and how few by deceit.
- Générique farfeluThe voice at the end of the credits page that utters, "We are quite, quite WRONG!" is Noël Coward's.
- ConnexionsFeatured in Die wahre Miss Marple - Der kuriose Fall Margaret Rutherford (2012)
Commentaire en vedette
This film was shot using the original 3-negative Technicolor system. Sometime in the 50's/60's when TV was buying up old movies, the negs were called up from the vaults in Denham to make new prints, only then was it discovered that one entire set (the magenta ones) had gone missing.
The re-issue prints were cobbled together extracting the magenta element of the picture using old prints and a sort of optical subtractive process. It was not wildly successful as anyone who watched the movie on TV in the 60's or bought the early VHS can attest. It has a sort of ethereal, greenish, washed-out look to it. I suspect the optical soundtrack master was also missing for the 1st 2 reels (22 mins)
The current TV release (2007 on TCM) and the DVD is a perfect Technicolor print, so either the magenta negative has been unearthed or (more likely) the magic of digital wizardry has recreated the missing component.
The re-issue prints were cobbled together extracting the magenta element of the picture using old prints and a sort of optical subtractive process. It was not wildly successful as anyone who watched the movie on TV in the 60's or bought the early VHS can attest. It has a sort of ethereal, greenish, washed-out look to it. I suspect the optical soundtrack master was also missing for the 1st 2 reels (22 mins)
The current TV release (2007 on TCM) and the DVD is a perfect Technicolor print, so either the magenta negative has been unearthed or (more likely) the magic of digital wizardry has recreated the missing component.
- paulfreeman
- 16 mars 2007
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Un espectro travieso
- Lieux de tournage
- Denham Mount, Blacksmith's Lane, Denham, Uxbridge, Buckinghamshire, Angleterre, Royaume-Uni(Condomine House, exteriors)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 169 $ US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant