ÉVALUATION IMDb
7,7/10
27 k
MA NOTE
Les Earps affrontent les Clantons à l'OK Corral situé à Tombstone, en Arizona.Les Earps affrontent les Clantons à l'OK Corral situé à Tombstone, en Arizona.Les Earps affrontent les Clantons à l'OK Corral situé à Tombstone, en Arizona.
- Prix
- 3 victoires au total
Robert Adler
- Stagecoach Driver
- (uncredited)
C.E. Anderson
- Townsman
- (uncredited)
Don Barclay
- Opera House Owner
- (uncredited)
Hank Bell
- Opera House Patron
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe cantankerous Walter Brennan disliked John Ford so much that he never worked with him again. One time when Brennan was having trouble getting into the saddle, Ford yelled, "Can't you even mount a horse?" Brennan shot back, "No, but I got three Oscars for acting!"
- GaffesThe movie shows James Earp killed (murdered) with his marker showing "born 1864 died 1882". However, James Earp was in fact born in 1841 and died in 1926 of natural causes. It was Morgan Earp who was murdered on 18 March 1882.
- Citations
Wyatt Earp: Mac, you ever been in love?
Mac: No, I've been a bartender all me life.
- Autres versionsIn 1994, an alternate "preview" version of the film was found that runs 103 or 104 minutes, according to different sources. In June 1946, director John Ford showed producer Darryl F. Zanuck his cut of the film. Zanuck's opinion was that the film had some problems, so Zanuck reshot certain scenes with Director Lloyd Bacon. Zanuck also recut other scenes, changed the music at certain points, and slightly altered the finale. In all, 35 minutes of footage was shot or recut, and the film was released at 97 minutes. Both the 103-104 min. archival preview print and the 97 min. release print are on the Fox DVD released January 6, 2004.
- ConnexionsEdited into John Ford, l'homme qui inventa l'Amérique (2019)
- Bandes originales(Oh My Darlin') Clementine
(1884) (uncredited)
Music by Percy Montrose
Lyrics by H.S. Thompson
Played and Sung during the opening credits and at the end
Also Whistled by Henry Fonda entering the hotel lobby on Sunday morning; stops whistling when he sees Clementine
Commentaire en vedette
MY DARLING CLEMENTINE ( rating, * * * * ½ out of 5 )
Adapted from the book 'Wyatt Earp, Frontier Marshal' by Stuart N. Lake, writers Samuel G. Engel, Winston Miller and Sam Hellman, and the great director himself John Ford, offer this most atmospheric depiction of Wyatt Earp, Doc Holliday and the most famous of shootouts in Western folk-lore.
The story basically covers the period when Wyatt Earp cleaned up Tombstone and wiped out the Clanton gang at the OK Coral. This is time-honored stuff. Nostalgic dramatizations that romanticized the Wild West while creating unforgettable heroes and notorious villains.
John Ford's handling of this motion picture is done with great care and obvious affection. Significant endeavor and attention to detail has gone into the period's reconstruction and the result is what can only be described as lyrical. A synchronous composition of sight and sound that produces a mesmerizing effect which in turn forces any viewer to fall instantly in love with this film.
Henry Fonda's portrayal of Wyatt Earp is without doubt the best that has ever been attempted and Victor Mature's Doc Holliday has him in rare form. Add cast members Walter Brennan, Linda Darnell, Ward Bond and John Ireland, and this film just crackles along.
There is one interesting irony I have noted. In John Ford's celebrated history as a director, particularly in the days when he was making silent films, the real Wyatt Earp acted as Ford's technical adviser bringing a new level of authenticity to gun play that Hollywood in the past had only guessed at. But in 'My Darling Clementine', the final shootout although well done, has a fantasy-like quality about it that avoids a sense of violent realism and adopts a surreal quality - as if seen through a dream.
Because John Ford knew all too well how to make a gunfight look believable, maybe this film allowed him to go beyond what was expected and to produce something a little special, and maybe it was shot in the way that Wyatt Earp wished it could have really happened. To successfully bend the rules, it really helps to have written them in the first place.
'My Darling Clementine' is a joy to behold. Sure, there are a few moments when minor cracks appear, but for pure entertainment value, it is unsurpassed. This movie is what going to the pictures on a Saturday afternoon was all about - those delightful matinee sessions when you'd load your arms up with confectionery, scramble for the best seats in the back row and experience the escapism that made growing up in the suburbs almost tolerable.
Adapted from the book 'Wyatt Earp, Frontier Marshal' by Stuart N. Lake, writers Samuel G. Engel, Winston Miller and Sam Hellman, and the great director himself John Ford, offer this most atmospheric depiction of Wyatt Earp, Doc Holliday and the most famous of shootouts in Western folk-lore.
The story basically covers the period when Wyatt Earp cleaned up Tombstone and wiped out the Clanton gang at the OK Coral. This is time-honored stuff. Nostalgic dramatizations that romanticized the Wild West while creating unforgettable heroes and notorious villains.
John Ford's handling of this motion picture is done with great care and obvious affection. Significant endeavor and attention to detail has gone into the period's reconstruction and the result is what can only be described as lyrical. A synchronous composition of sight and sound that produces a mesmerizing effect which in turn forces any viewer to fall instantly in love with this film.
Henry Fonda's portrayal of Wyatt Earp is without doubt the best that has ever been attempted and Victor Mature's Doc Holliday has him in rare form. Add cast members Walter Brennan, Linda Darnell, Ward Bond and John Ireland, and this film just crackles along.
There is one interesting irony I have noted. In John Ford's celebrated history as a director, particularly in the days when he was making silent films, the real Wyatt Earp acted as Ford's technical adviser bringing a new level of authenticity to gun play that Hollywood in the past had only guessed at. But in 'My Darling Clementine', the final shootout although well done, has a fantasy-like quality about it that avoids a sense of violent realism and adopts a surreal quality - as if seen through a dream.
Because John Ford knew all too well how to make a gunfight look believable, maybe this film allowed him to go beyond what was expected and to produce something a little special, and maybe it was shot in the way that Wyatt Earp wished it could have really happened. To successfully bend the rules, it really helps to have written them in the first place.
'My Darling Clementine' is a joy to behold. Sure, there are a few moments when minor cracks appear, but for pure entertainment value, it is unsurpassed. This movie is what going to the pictures on a Saturday afternoon was all about - those delightful matinee sessions when you'd load your arms up with confectionery, scramble for the best seats in the back row and experience the escapism that made growing up in the suburbs almost tolerable.
- smarty-13
- 13 juill. 1999
- Lien permanent
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- How long is My Darling Clementine?Propulsé par Alexa
Détails
Box-office
- Budget
- 2 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 15 293 $ US
- Durée1 heure 37 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was La poursuite infernale (1946) officially released in India in Hindi?
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