Backlash

I agree with everyone about that scene with Leonard Strong as the bum or hobo, a sort of philosophizing, theatrical proto-beatnik. Ad-libbing perhaps? And well shot. It's the only reason I came here to rate this. The rest was largely throwaway by comparison. I've watched the film noir titles from the '40s, and that part is worth watching, but perhaps it is improved by the comparative dullness of the other scenes.