ÉVALUATION IMDb
6,7/10
1,9 k
MA NOTE
Ajouter une intrigue dans votre langueStory about violent feud between Connie Dickason, the owner of the Circle 66 ranch and rancher Frank Ivey, the self-proclaimed boss of an otherwise public grazing land.Story about violent feud between Connie Dickason, the owner of the Circle 66 ranch and rancher Frank Ivey, the self-proclaimed boss of an otherwise public grazing land.Story about violent feud between Connie Dickason, the owner of the Circle 66 ranch and rancher Frank Ivey, the self-proclaimed boss of an otherwise public grazing land.
Charles Ruggles
- Ben Dickason
- (as Charlie Ruggles)
Houseley Stevenson
- George Smedley
- (as Housely Stevenson)
Ward Wood
- Link Thoms
- (as Robert Wood)
Victor Potel
- Burch Nellice
- (as Vic Potel)
Histoire
Le saviez-vous
- AnecdotesAt the time of filming, Veronica Lake and director André De Toth were married. This film was their first screen collaboration.
- GaffesActor Houseley Stevenson's name is misspelled onscreen as "Housely."
- Citations
Connie Dickason: From now on, I'm going to make a life of my own. And, being a woman, I won't have to use guns.
- ConnexionsReferenced in You Must Remember This: Veronica Lake (Dead Blondes Part 4) (2017)
Commentaire en vedette
Ramrod is directed by Andre DeToth and collectively written by Luke Short, Jack Moffitt, C. Graham Baker and Cecile Kramer. It stars Joel McCrea, Veronica Lake, Don DeFore, Donald Crisp, Preston Foster, Arlene Whelan and Charles Ruggles. Music is by Adloph Deutsch and cinematography by Russell Harlan.
Sick of self proclaimed bully boss of the valley Frank Ivey (Foster) getting his way, hard driven Connie Dickason (Lake) sets up the Circle 66 Ranch. Hiring Dave Nash (McRea) as her ranch foreman (ramrod), Connie uses tricks and feminine wiles to win the personal battles to hand - which may well spell bad news for everyone...
Ramrod was the first Western directed by De Toth, and it's quite an impressive genre start. Splendidly capturing the film noir zeitgeist that was occurring at this time, pic looks terrific, De Toth and Harlan bring perfect monochrome moodiness for narrative compliance. The story pulses with psychological beats, the characters ranging from damaged addicts, the lovelorn and the lost, the power crazy and the cowardly, and right there at the core of it all is a femme fatale who is very much all woman but manipulative, bitter and destructive to the bone!
Story has a number of splinters lifting it out of the ordinary, the twists and turns not ridiculous, the sly machinations of principals are devilishly enjoyable for the like minded noir of heart. The plotting is clinically smart by not being ordinary, De Toth toying with the traditional tropes of the good versus bad Western staples. It's fair to say that Ramrod will reward more on further viewings, where it has the power to have the viewer dissecting the Freudian angles on show.
Cast are well suited to their respective roles. Lake rightly deglamourizes for Connie, and yet she carries a steely sexiness that has you understanding how men fall under her spell. McRea underplays it perfectly, he got the dupe role down pat, whilst DeFore steals the men acting honours as Bill Schell, who is Dave's mate, a jumping bean loose cannon dealing death with a nod and a wink. Support cast all come out in credit to seal the deal, for Ramrod is a must see for those who like Western and film noir hybrids. 8/10
Sick of self proclaimed bully boss of the valley Frank Ivey (Foster) getting his way, hard driven Connie Dickason (Lake) sets up the Circle 66 Ranch. Hiring Dave Nash (McRea) as her ranch foreman (ramrod), Connie uses tricks and feminine wiles to win the personal battles to hand - which may well spell bad news for everyone...
Ramrod was the first Western directed by De Toth, and it's quite an impressive genre start. Splendidly capturing the film noir zeitgeist that was occurring at this time, pic looks terrific, De Toth and Harlan bring perfect monochrome moodiness for narrative compliance. The story pulses with psychological beats, the characters ranging from damaged addicts, the lovelorn and the lost, the power crazy and the cowardly, and right there at the core of it all is a femme fatale who is very much all woman but manipulative, bitter and destructive to the bone!
Story has a number of splinters lifting it out of the ordinary, the twists and turns not ridiculous, the sly machinations of principals are devilishly enjoyable for the like minded noir of heart. The plotting is clinically smart by not being ordinary, De Toth toying with the traditional tropes of the good versus bad Western staples. It's fair to say that Ramrod will reward more on further viewings, where it has the power to have the viewer dissecting the Freudian angles on show.
Cast are well suited to their respective roles. Lake rightly deglamourizes for Connie, and yet she carries a steely sexiness that has you understanding how men fall under her spell. McRea underplays it perfectly, he got the dupe role down pat, whilst DeFore steals the men acting honours as Bill Schell, who is Dave's mate, a jumping bean loose cannon dealing death with a nod and a wink. Support cast all come out in credit to seal the deal, for Ramrod is a must see for those who like Western and film noir hybrids. 8/10
- hitchcockthelegend
- 10 mai 2019
- Lien permanent
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Détails
Box-office
- Budget
- 2 000 000 $ US (estimation)
- Durée1 heure 34 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
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