L'esclave aux mains d'or

While 1939 has been properly established as a year of many exceptional films of the American cinema, my favorite actor, Miss Barbara Stanwyck, starred in two: The DeMille epic UNION PACIFIC, and this Clifford Odets' play-turned-movie, GOLDEN BOY. While this film is usually recognized as the one that made William Holden a star, equally famous is the story of how he would have been fired from the film during production had it not been for veteran Stanwyck sticking up for him, insisting that they give him a chance, and then helping him to be a success. There were no shortages of established leading men waiting in the wings for this coveted role, so Barbara's unselfish act forged a life-long relationship between them for which Holden thanked her with a gift of roses each year on the anniversary of the film's opening. In one review, Richard Corliss writes, "...Stanwyck godmothered the young William Holden to stardom and earned his lifelong devotion." I'm sure this real life teacher/student relationship is also mirrored in the actual drama that unfolds on the screen. In spite of their difference in age, however, it's not as vast as the Holden/Swanson relationship in SUNSET BOULEVARD, and the chemistry on Golden Boy is more evenly matched and more appealing. Furthermore, the supporting cast of Aldophe Menjou, as the boxing manager, Lee J. Cobb as Holden's dad, and Sam Levene as Holden's brother-in-law is so tightly woven that the movie has all the charm and intensity of the Broadway play on which it is based. A memorable line that Stanwyck delivers when she is luring the golden violin prodigy from practicing his scales to make some extra dough on the side as a prizefighter is, "...you take a chance the day you are born, so why stop now?" When he doesn't at first take the bait, watch out for the dated line, "I'll see you in 1966 when, by then, you may have become somebody..." Of course, thanks to Barbara, it happened in 1939. This is an extremely satisfying film suitable for the whole family.