Ajouter une intrigue dans votre langueA show business family leaves the Great White Way and heads to a farm in New England. What results are the difficulties they have before they are accepted by the community.A show business family leaves the Great White Way and heads to a farm in New England. What results are the difficulties they have before they are accepted by the community.A show business family leaves the Great White Way and heads to a farm in New England. What results are the difficulties they have before they are accepted by the community.
Histoire
Le saviez-vous
- Anecdotes"Baby, Take a Bow," which Shirley Temple performs early in the film, was shot six years earlier for "Stand Up and Cheer" (1934). It was cleverly re-edited and inter cut with new shots of Jack Oakie and the chorus, with a double for Temple standing in for the long shots. Similarly, the brief excerpt of Temple's hula number, originally shot for "Curly Top" (1935), was superimposed behind Oakie in the vaudeville montage.
- GaffesIn the colourised version, young Wendy's polka dot dress during 'Baby, Take a Bow' is blue. However, in the same original footage shown in 'Stand Up and Cheer!' (1934), the dress was colourised red and off-white. The dress itself is red and off-white in reality, as documented in auction photographs and museum displays.
- ConnexionsFeatured in Biography: Shirley Temple: The Biggest Little Star (1996)
- Bandes originalesFifth Avenue
(1940) (uncredited)
Music by Harry Warren
Lyrics by Mack Gordon
Sung and Danced by Shirley Temple, Jack Oakie and Charlotte Greenwood
Reprised by them in their home
Commentaire en vedette
It looks as if Fox wasn't prepared to spend anything but a B-picture budget on Shirley's last film for the studio. Even the colorized version that popped up several years ago fails to give the picture an A-picture look that it deserved. All the trappings are on a downscale that makes the film little more than a programmer.
Shirley herself is still a talented girl--still the cheerful disposition, dimples and dancing feet--but while her talent is obviously a modest one, it's Charlotte Greenwood and Jack Oakie that are the real pros. Occasionally Shirley meets their standards and this gives the film the lift it needs. But all too often, it's apparent that the charm she had as a tot isn't enough to maintain her pre-teen appeal.
The story is a simple one about a vaudeville couple who adopt a baby girl and then want to retire to the country so she can have a normal life when she's growing up. The conflict comes when the townspeople refuse to accept the showbiz family in their community. Finally, with the help of George Montgomery and Arleen Whelan, the family overcomes all obstacles. A fierce storm sequence toward the end is extremely well done but fails to save the picture from being anything more than an ordinary yarn.
Clever use of Shirley's earlier film footage as a tot is inserted for the "babe on the road" inserts. It's a pleasant enough show but more funding by Fox would have elevated it to A-status.
Shirley herself is still a talented girl--still the cheerful disposition, dimples and dancing feet--but while her talent is obviously a modest one, it's Charlotte Greenwood and Jack Oakie that are the real pros. Occasionally Shirley meets their standards and this gives the film the lift it needs. But all too often, it's apparent that the charm she had as a tot isn't enough to maintain her pre-teen appeal.
The story is a simple one about a vaudeville couple who adopt a baby girl and then want to retire to the country so she can have a normal life when she's growing up. The conflict comes when the townspeople refuse to accept the showbiz family in their community. Finally, with the help of George Montgomery and Arleen Whelan, the family overcomes all obstacles. A fierce storm sequence toward the end is extremely well done but fails to save the picture from being anything more than an ordinary yarn.
Clever use of Shirley's earlier film footage as a tot is inserted for the "babe on the road" inserts. It's a pleasant enough show but more funding by Fox would have elevated it to A-status.
- Doylenf
- 18 juill. 2003
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Détails
- Durée1 heure 19 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Young People (1940) officially released in India in English?
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