Suite au décès d'un magnat de l'édition, des journalistes se démènent pour découvrir le sens de ses dernières paroles.Suite au décès d'un magnat de l'édition, des journalistes se démènent pour découvrir le sens de ses dernières paroles.Suite au décès d'un magnat de l'édition, des journalistes se démènent pour découvrir le sens de ses dernières paroles.
- A remporté 1 oscar
- 11 victoires et 13 nominations au total
Histoire
Le saviez-vous
- AnecdotesDespite all the publicity, the film was a box-office flop and was quickly consigned to the RKO vaults. At the 1941 Academy Awards, the film was booed every time one of its nine nominations was announced. It was only re-released to the public in the mid-1950s.
- GaffesDuring the picnic scene towards the end, Welles had to shoot against a back-projection because a location shoot was too costly and time-consuming. The stock footage used for the exterior was taken from King Kong (1933), hence on closer inspection the four birds that fly by are in fact very definite pterodactyls. RKO told Welles to take the pterodactyls out of the shot, but he liked them, and decided to keep them.
- Citations
Mr. Bernstein: Old age. It's the only disease, Mr. Thompson, that you don't look forward to being cured of.
- Générique farfeluIn a very rare move the director's credit is shown on the same card as the cinematographer's. This was Orson Welles's personal decision to show his thanks to cinematographer Gregg Toland for his enormous contributions to the film, meaning equal rights.
- Autres versionsThe Italian-language version cut an overwhelming number of scenes, leading to "complete" versions of the film to be circa half of the time in English and only the remaining half in Italian.
- ConnexionsFeatured in The Projectionist (1970)
- Bandes originalesIt Can't Be Love
(uncredited)
Written by Charlie Barnet and Haven Johnson
Arranged by The King Cole Trio
Performed by Raymond Tate, Buddy Collette, Buddy Banks, CeePee Johnson, and Alton Redd
Commentaire en vedette
OK look, let me settle something between those who love and hate this film. A lot of people hail this film because it is technically brilliant and ground breaking. Director Orson Welles did a lot of things visually that no one had ever done before. Nearly every film maker was in some way influenced by this movie. This movie also had a great impact in its time. The title character was based on media giant William Randolph Hearst. He was that generations Donald Trump. He opposed this film so much he did everything in its power to stop its release and almost succeeded. Lastly this film contains some of the strongest and most common themes in literature; Life versus death. It is for these reasons why this film is so revered.
On the contrary people who hate this film mainly complain that it is boring. Which is a legitimate complaint. The story is slow compared to today's standards, and there is no real Hearst character alive today in which to relate. So yes, the story on the surface is outdated. However, this does not make it a bad movie. It was not made as a Matrix/Star Wars type of movie which can be enjoyed even at surface level. This is not pure entertainment. Remember there is more to film than storytelling. This film was designed to be cinematically beautiful and to tell a basic story of love and redemption. There is much more to the story than the thinly veiled attack on Hearst, one just needs to look deeper. Look at Shakespeare or Hawthorne for example, their literary works are universally loved. Yet, many people blow them off because they refuse to look past the outdated language into the beautiful prose and simple ubiquitous themes. Just because something is outdated does not mean it lacks worth in today's world.
My advice to those who did not like it the first time or have not seen it yet is simple. Watch it again for what it is. Do not expect to be on the edge of your seat for two hours. Watch it for the cinematography that alone makes this film among the best (I don't agree with AFI's number one ranking but I think it still ranks high). Look deeper into the story and try to connect with it on some level. At the very least appreciate how influential this film was and where the industry would be without it. If you can do this, then maybe some of the naysayers will change their minds. Again, you do not have to love Citizen Kane, but at least respect it for what it is.
On the contrary people who hate this film mainly complain that it is boring. Which is a legitimate complaint. The story is slow compared to today's standards, and there is no real Hearst character alive today in which to relate. So yes, the story on the surface is outdated. However, this does not make it a bad movie. It was not made as a Matrix/Star Wars type of movie which can be enjoyed even at surface level. This is not pure entertainment. Remember there is more to film than storytelling. This film was designed to be cinematically beautiful and to tell a basic story of love and redemption. There is much more to the story than the thinly veiled attack on Hearst, one just needs to look deeper. Look at Shakespeare or Hawthorne for example, their literary works are universally loved. Yet, many people blow them off because they refuse to look past the outdated language into the beautiful prose and simple ubiquitous themes. Just because something is outdated does not mean it lacks worth in today's world.
My advice to those who did not like it the first time or have not seen it yet is simple. Watch it again for what it is. Do not expect to be on the edge of your seat for two hours. Watch it for the cinematography that alone makes this film among the best (I don't agree with AFI's number one ranking but I think it still ranks high). Look deeper into the story and try to connect with it on some level. At the very least appreciate how influential this film was and where the industry would be without it. If you can do this, then maybe some of the naysayers will change their minds. Again, you do not have to love Citizen Kane, but at least respect it for what it is.
- gobosox
- 20 avr. 2004
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- El ciudadano Kane
- Lieux de tournage
- Busch Gardens - S. Grove Avenue, Pasadena, Californie, États-Unis(Xanadu Grounds, demolished)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 839 727 $ US (estimation)
- Brut – États-Unis et Canada
- 1 627 530 $ US
- Brut – à l'échelle mondiale
- 1 707 754 $ US
- Durée1 heure 59 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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