ÉVALUATION IMDb
6,7/10
2,4 k
MA NOTE
Une famille en vacances sur la côte mexicaine doit faire face à de multiples menaces pour sa sécurité.Une famille en vacances sur la côte mexicaine doit faire face à de multiples menaces pour sa sécurité.Une famille en vacances sur la côte mexicaine doit faire face à de multiples menaces pour sa sécurité.
Rico Alaniz
- Officer at 1st Roadblock
- (uncredited)
Salvador Baguez
- Officer at 1st Roadblock
- (uncredited)
Bob Castro
- Police Machine Gunner
- (uncredited)
Carlos Conde
- Tijuana Vendor
- (uncredited)
George L. Derrick
- Gas Station Attendant
- (uncredited)
Paul Fierro
- Mexican Lieutenant
- (uncredited)
Sol Gorss
- Captain's Driver Talking to Helen
- (uncredited)
Margarita Martín
- Mexican Mother
- (uncredited)
Victor Milner
- Bit Part
- (uncredited)
George Navarro
- Tijuana Vendor
- (uncredited)
Charles Stevens
- Mexican Father
- (uncredited)
Ken Terrell
- Officer at 2nd Barricade
- (uncredited)
Louis Tomei
- Officer at 2nd Barricade
- (uncredited)
Histoire
Le saviez-vous
- Anecdotes"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on March 15, 1954 with Barbara Stanwyck and Barry Sullivan reprising their film roles.
- GaffesWhen the incoming tide is washing against Helen, her hair is soaked and in the next shot her hair is styled then soaked again .
- Citations
Helen Stilwin: If he dies, I promise you one thing... I'll kill you.
Lawson, the Fugitive: That puts you in a class with 10,000 cops. They all got the same idea.
Helen Stilwin: It's a good idea.
Commentaire en vedette
Leonard Maltin must've been watching some other movie. (Though I find his Guide to be quite a valuable resource, please disregard his comments on this one.) He states "starts off well then fizzles" when it's really the reverse - "starts off tepid then catches fire". The plot is about as simple as it gets. Happy Mom, Happy Dad and Happy Son take a vacation at an isolated beach, Dad incapacitated in accident, Mom runs off to get help, meets up with dangerous escaped convict. Mom tries to trick convict into helping while Dad waits and hangs on for dear life.
Good white-knuckler given an electric jolt by Ralph Meeker, appearing suddenly (the director, John Sturges, films it in a clever way that will make you gasp) around halfway through as the cunning, desperate criminal. Meeker is an unusually flippant, reckless actor (at least here and in the classic "Kiss Me Deadly") and he happily snatches the keys to the film's narrative and speeds off with the top down. His character has a habit of grinning childishly and saying "Pretty neat, huh?" when he's especially pleased with his misdeeds. There is a funny break in the action when they get a flat tire and he tersely instructs his hostage, Barbara Stanwyck, "Don't go away". She fires back "Where would I go?" (they're in the middle of nowhere) and he realizes sitcom-ishly "Yeah, that's right". The friction between them is a hoot.
There are flaws, somewhat ridiculous ones. There's one scene where the police, who have been chasing after Meeker for some time, stop Stanwyck's car and to evade detection Meeker rests his head on her shoulder like a loving husband supposedly would, and pretends to be asleep as she's being questioned. A. He looks conspicuously un-masculine in this pose and B. I think it's safe to say that any adult who appears to be asleep during an encounter with law enforcement would certainly arouse suspicion.
Still a sturdy thriller which builds to an exciting and edifying conclusion.
Good white-knuckler given an electric jolt by Ralph Meeker, appearing suddenly (the director, John Sturges, films it in a clever way that will make you gasp) around halfway through as the cunning, desperate criminal. Meeker is an unusually flippant, reckless actor (at least here and in the classic "Kiss Me Deadly") and he happily snatches the keys to the film's narrative and speeds off with the top down. His character has a habit of grinning childishly and saying "Pretty neat, huh?" when he's especially pleased with his misdeeds. There is a funny break in the action when they get a flat tire and he tersely instructs his hostage, Barbara Stanwyck, "Don't go away". She fires back "Where would I go?" (they're in the middle of nowhere) and he realizes sitcom-ishly "Yeah, that's right". The friction between them is a hoot.
There are flaws, somewhat ridiculous ones. There's one scene where the police, who have been chasing after Meeker for some time, stop Stanwyck's car and to evade detection Meeker rests his head on her shoulder like a loving husband supposedly would, and pretends to be asleep as she's being questioned. A. He looks conspicuously un-masculine in this pose and B. I think it's safe to say that any adult who appears to be asleep during an encounter with law enforcement would certainly arouse suspicion.
Still a sturdy thriller which builds to an exciting and edifying conclusion.
- abooboo-2
- 17 janv. 2001
- Lien permanent
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Détails
Box-office
- Budget
- 589 000 $ US (estimation)
- Durée1 heure 9 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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