Ajouter une intrigue dans votre langueThree people who despise each other find themselves sharing a room in Hell - forever.Three people who despise each other find themselves sharing a room in Hell - forever.Three people who despise each other find themselves sharing a room in Hell - forever.
René Hiéronimus
- Le principal du collège
- (as Hiéronimus)
Histoire
Le saviez-vous
- AnecdotesBased on Jean-Paul Sartre's play.
- ConnexionsFeatured in Women Make Film: A New Road Movie Through Cinema (2018)
Commentaire en vedette
As an existing (and avid) fan of the stage play, I was curious to see how Jean-Paul Sartre's classic dark existentialist comedy would translate to film. Knowing that Mass and Twelve Angry Men are both films I adore that take place essentially in one room, I know that it's possible to achieve such a feat and make it something really special. I admire the directorial decision to have the screen in the room display cinematic representations of the worlds of each character moving on without them, and I think the principal roles of Garcin, Ines, and Estelle were especially well-cast. The cinematography was a touch dry (though feels period-accurate of the mid-50s), but the acting was believable enough and the set design was spot-on. I think, while I understand the intent to create a world existing outside the room to make the work of theatre more cinematic, the opening 10-15 minutes or so felt very slow and superfluous, it didn't add much at all to the existing drama/comedy that comes from the characters interacting.
I do have to wonder if I would've given this a higher score if I had seen the film with English subtitles-the copy I watched was in the film's original French and with German subtitles I couldn't remove.
I do have to wonder if I would've given this a higher score if I had seen the film with English subtitles-the copy I watched was in the film's original French and with German subtitles I couldn't remove.
- bypeterfenton
- 7 févr. 2022
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Détails
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was Huis-clos (1954) officially released in Canada in English?
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