ÉVALUATION IMDb
6,7/10
2,4 k
MA NOTE
Ajouter une intrigue dans votre langueWhen a notorious tough 'town tamer' is hired by the citizenry to rid of the gunmen driving them off their land, he finds the local saloon madam to be an old friend.When a notorious tough 'town tamer' is hired by the citizenry to rid of the gunmen driving them off their land, he finds the local saloon madam to be an old friend.When a notorious tough 'town tamer' is hired by the citizenry to rid of the gunmen driving them off their land, he finds the local saloon madam to be an old friend.
Ted de Corsia
- 'Frenchy' Lescaux
- (as Ted DeCorsia)
Claude Akins
- Jim Reedy
- (uncredited)
Florenz Ames
- Doc Hughes
- (uncredited)
Joe Barry
- Dade Holman
- (uncredited)
Jimmie Booth
- Townsman
- (uncredited)
Morgan Brown
- Townsman
- (uncredited)
Nora Bush
- Townswoman
- (uncredited)
Archie Butler
- Henchman
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesAlex North's musical cue used in the sequence where The Palace is burning down was later re-arranged and used, to even greater effect, for the gladiator fight-to-the-death scene in Spartacus (1960).
- GaffesWhen the bad gang finds one of Tollinger's 'gun-ban' signs at the edge of town, they shoot it up with several bullets, which is shown in close-up. But in the next wide shot (as the gang is riding away), the sign is completely intact with no bullet holes.
- Citations
[about Clint Tollinger]
Doc Hughes: Always dresses in gray. Black would fit his profession better
- ConnexionsFeatured in The Nostradamus Kid (1993)
Commentaire en vedette
Clint Tollinger arrives in a small western town looking for his estranged wife, who left him and now runs the local show saloon. His presence is greeting by suspicion but when the town leaders discover the nature of Tollinger's business they propose that they employ him to clean up the town of the problem of Dade Holman's violent influence. The solution may be just as bad as the problem but they take the risk.
With a nice dark character with a lot of anger and pain in the front of the film this western is enjoyable tough. Although the plot is fairly typical of a western b-movie, the tone and edge to it means that it comes over as much more. The basic story sees Tollinger taking on the rule of Holman but it has undercurrents of pain and anger as the lead confronts his wife. We meet Tollinger as a gentle, quiet man but gradually we see him to be violent, heartless and full of bitterness; it is solid development that is at the heart of the film's dark tone. Of course it still follows the genre traditions and will appeal to fans of such while also having enough else going on to make it differ from the Technicolor westerns of the same period.
Wilson is responsible for the dark tone as both writer and director; shot is stark black and white he frames some interesting shots and is not afraid to be aggressive or shocking considering the period. Mitchum takes to his character well and always seemed to enjoy the darker more complex characters that some of his westerns would serve him up with. Sterling does well with her firm character until near the end where she becomes more of a genre staple. Support behind these two is roundly good but the film is very much Mitchum's and he knows it.
Overall it is a solid western that gradually gets down to just going where you expect it to. However for the vast majority it has a dark tone and feel to it that makes it much more interesting and more likely to appeal beyond the limitations of those that like the colourful b-movie westerns of the period.
With a nice dark character with a lot of anger and pain in the front of the film this western is enjoyable tough. Although the plot is fairly typical of a western b-movie, the tone and edge to it means that it comes over as much more. The basic story sees Tollinger taking on the rule of Holman but it has undercurrents of pain and anger as the lead confronts his wife. We meet Tollinger as a gentle, quiet man but gradually we see him to be violent, heartless and full of bitterness; it is solid development that is at the heart of the film's dark tone. Of course it still follows the genre traditions and will appeal to fans of such while also having enough else going on to make it differ from the Technicolor westerns of the same period.
Wilson is responsible for the dark tone as both writer and director; shot is stark black and white he frames some interesting shots and is not afraid to be aggressive or shocking considering the period. Mitchum takes to his character well and always seemed to enjoy the darker more complex characters that some of his westerns would serve him up with. Sterling does well with her firm character until near the end where she becomes more of a genre staple. Support behind these two is roundly good but the film is very much Mitchum's and he knows it.
Overall it is a solid western that gradually gets down to just going where you expect it to. However for the vast majority it has a dark tone and feel to it that makes it much more interesting and more likely to appeal beyond the limitations of those that like the colourful b-movie westerns of the period.
- bob the moo
- 10 déc. 2005
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- How long is Man with the Gun?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 1 800 000 $ US
- Durée1 heure 24 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was Man with the Gun (1955) officially released in India in English?
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