Ajouter une intrigue dans votre langueA young man and a woman about to commit suicide by jumping into a river, recount to each other their experiences of the Second World War and the struggles of the immediate post-war situation... Tout lireA young man and a woman about to commit suicide by jumping into a river, recount to each other their experiences of the Second World War and the struggles of the immediate post-war situation.A young man and a woman about to commit suicide by jumping into a river, recount to each other their experiences of the Second World War and the struggles of the immediate post-war situation.
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Liebe '47 describes a place and a time we cannot imagine today. I include in that description the impossibility of imagining the emotional place that Germans were in at the end of World War II.
Everything that could have been destroyed WAS destroyed - lives, families, morality. All that was left was the ruins of a vaguely remembered time and place. The dislocation was profound.
Two figures, a man and a woman are seen separately at the waters edge (Hamburg docks). They are contemplating suicide. They have lost everything and appear to have nothing to live for. We see them come together. Other shadowy (Bergmanesque) figures swirl in the sidelines and discuss the destinies of our two players.
We see Anna's story first. She has suffered greatly. Shattered dreams, harsh realities. Terrible. Her story is handled sensitively and superbly, and sets the scene in many ways. Nazi era films tended to show women in minor/love interest/home maker or subservient roles as this was the place assigned to them by the regime. Not in Liebe '47 though. Here we see a different reality. Anna is downtrodden, abused and broken. She is a hero that many post-war German women could identify with.
Then we see Jürgen's story - a war survivor from the German army. He is also a hero - but not a hero through military acts of bravery...
I watched Liebe '47 in the original German without subtitles. My German isn't great - but I managed, despite the basic sound quality, because the images are strong, the acting is strong and the stories and emotions shine through.
The film really gets to work in the second half (building on Anna's story), when Jürgen is forced again to confront the banalities of war and the subsequent peace. Or rather, we the viewer are forced to confront his realities. The scenes he sets up in a Cabaret bar and at the home of his former commanding officer are unnerving and carefully chosen by the script writers. The bizarre dream images he conjours are impactful and surreal. The implication is that Germany has endured some kind of apocalyptic schizophrenic nightmare that it is only just waking from, wondering what happened, daring to remember.... There are further implications for audience to consider.
This is a good film, with impactful story telling made in an ex-Luftwaffe hangar in Göttingen on next-to-no resources or budget.
The ending is strong (no spoilers). Our two characters have fought their way to here. They have survived, somehow, and decide that they should look after each other. This is the moral core of the film.
Liebe '47 is a Trümmerfilm - rubble film. The meaning here being - the rubble of previous lives. Historic films - we need to see these pieces. They are usually bleak - but they show us aspects of the human condition that we would not otherwise see. Watch Liebe '47 and see what you think.
Everything that could have been destroyed WAS destroyed - lives, families, morality. All that was left was the ruins of a vaguely remembered time and place. The dislocation was profound.
Two figures, a man and a woman are seen separately at the waters edge (Hamburg docks). They are contemplating suicide. They have lost everything and appear to have nothing to live for. We see them come together. Other shadowy (Bergmanesque) figures swirl in the sidelines and discuss the destinies of our two players.
We see Anna's story first. She has suffered greatly. Shattered dreams, harsh realities. Terrible. Her story is handled sensitively and superbly, and sets the scene in many ways. Nazi era films tended to show women in minor/love interest/home maker or subservient roles as this was the place assigned to them by the regime. Not in Liebe '47 though. Here we see a different reality. Anna is downtrodden, abused and broken. She is a hero that many post-war German women could identify with.
Then we see Jürgen's story - a war survivor from the German army. He is also a hero - but not a hero through military acts of bravery...
I watched Liebe '47 in the original German without subtitles. My German isn't great - but I managed, despite the basic sound quality, because the images are strong, the acting is strong and the stories and emotions shine through.
The film really gets to work in the second half (building on Anna's story), when Jürgen is forced again to confront the banalities of war and the subsequent peace. Or rather, we the viewer are forced to confront his realities. The scenes he sets up in a Cabaret bar and at the home of his former commanding officer are unnerving and carefully chosen by the script writers. The bizarre dream images he conjours are impactful and surreal. The implication is that Germany has endured some kind of apocalyptic schizophrenic nightmare that it is only just waking from, wondering what happened, daring to remember.... There are further implications for audience to consider.
This is a good film, with impactful story telling made in an ex-Luftwaffe hangar in Göttingen on next-to-no resources or budget.
The ending is strong (no spoilers). Our two characters have fought their way to here. They have survived, somehow, and decide that they should look after each other. This is the moral core of the film.
Liebe '47 is a Trümmerfilm - rubble film. The meaning here being - the rubble of previous lives. Historic films - we need to see these pieces. They are usually bleak - but they show us aspects of the human condition that we would not otherwise see. Watch Liebe '47 and see what you think.
- tobydale
- 24 oct. 2024
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Détails
- Durée1 heure 58 minutes
- Couleur
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- Rapport de forme
- 1.37 : 1
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By what name was Liebe '47 (1949) officially released in Canada in English?
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