ÉVALUATION IMDb
7,7/10
35 k
MA NOTE
Dunson mène une caravane de bétail, le point culminant de quatorze ans de travail, jusqu'à sa destination dans le Missouri. Son comportement provoque une émeute parmi les ouvriers, dirigés p... Tout lireDunson mène une caravane de bétail, le point culminant de quatorze ans de travail, jusqu'à sa destination dans le Missouri. Son comportement provoque une émeute parmi les ouvriers, dirigés par son fils adoptif.Dunson mène une caravane de bétail, le point culminant de quatorze ans de travail, jusqu'à sa destination dans le Missouri. Son comportement provoque une émeute parmi les ouvriers, dirigés par son fils adoptif.
- Nommé pour 2 oscars
- 2 victoires et 4 nominations au total
Coleen Gray
- Fen
- (as Colleen Gray)
Harry Carey
- Mr. Melville
- (as Harry Carey Sr.)
Chief Yowlachie
- Quo
- (as Chief Yowlatchie)
Hal Taliaferro
- Old Leather
- (as Hal Talliaferro)
John Bose
- Dunston Rider
- (uncredited)
Buck Bucko
- Cowhand
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesHoward Hawks shot the beginning of the cattle drive in close-ups of each of the principal cowhands because he felt tight shots would be needed to help the audience keep all the characters straight in their minds. To that end, he also gave them all different kinds of hats, including a derby. Montgomery Clift used Hawks' own hat, which was given to him by Gary Cooper. Cooper had imparted a weather-beaten look to the hat by watering it every night. "Spiders built nests in it," Hawks said. "It looked great."
- GaffesThe film gives 14 August 1865 as the completion of the first cattle drive on the Chisholm Trail. However, the first cattle drive on the Chisholm Trail started and finished in 1867, two years later.
- Générique farfeluOpening credits prologue: Among the annals of the great state of Texas may be found the story of the first drive on the famous Chisholm Trail. A story of one of the great cattle herds of the world, of a man and a boy--Thomas Dunson and Matthew Garth, the story of the Red River D.
- Autres versionsAccording to Peter Bogdanovich, the shorter version is in fact the Director's Cut. Howard Hawks was unhappy with the pacing of the longer, 133 minute cut.
- ConnexionsFeatured in The Screen Writer (1950)
- Bandes originalesSettle Down
(1947)
by Dimitri Tiomkin
Lyric by Frederick Herbert (uncredited)
Played during the opening credits
Commentaire en vedette
Fourteen years ago Thomas Dunson entered Texas across Red River with two head of cattle, his trail hand, and a young boy, Matt Garth, who survived an Indian attack on a wagon train that killed Dunson's sweetheart. After years of development he is now head of a ranch and is preparing to drive his head of thousands of cattle up to Missouri for sale, despite the perils. However Dunson's brutal leadership style bucks up against the more peaceful Matt, leading to a rebellion and a splitting of the ways between Dunson and his adopted son.
With an early scene establishing both Dunson's methods (taking land by force) and the source of much of his future bitterness and rage, this film sets itself out to be a real good character piece and pretty much manages to do it. The plot sweeps across 14 years but doesn't suffer for it. The main plot device is the cattle drive, which is depicted with affection here, however the main story is the conflict between Dunson and Matt's methods and views on man management. This aspect is not given quite as much time as I had hoped and tends to be over shadowed by the scale of the cattle drive itself however this is still good.
The weakest point here is the romance which feels tacked on at the end. Not only does it feel unnecessary but it doesn't really work very well either. To make matters worse when the conflict between Dunson and Matt manifests itself physically, it is devalued by the involvement of Tess somewhat. Wayne's leading man is strong and is a good performance considering how unpopular he is as a character. Clift gives a balanced performance and stands up well alongside the Duke. The support cast is full of western favourites and does well to fill the story out with colour, comic relief from Brennan's chuck wagon driver is great fun.
Overall this is a good western that I felt didn't quite reach it's full potential as a film. It could have gone further with the battle of wills between the characters but instead the cattle drive takes the lion's share of screen time. Having said that, there is still plenty to enjoy with both the character clashes and the perils of the cattle drive itself.
With an early scene establishing both Dunson's methods (taking land by force) and the source of much of his future bitterness and rage, this film sets itself out to be a real good character piece and pretty much manages to do it. The plot sweeps across 14 years but doesn't suffer for it. The main plot device is the cattle drive, which is depicted with affection here, however the main story is the conflict between Dunson and Matt's methods and views on man management. This aspect is not given quite as much time as I had hoped and tends to be over shadowed by the scale of the cattle drive itself however this is still good.
The weakest point here is the romance which feels tacked on at the end. Not only does it feel unnecessary but it doesn't really work very well either. To make matters worse when the conflict between Dunson and Matt manifests itself physically, it is devalued by the involvement of Tess somewhat. Wayne's leading man is strong and is a good performance considering how unpopular he is as a character. Clift gives a balanced performance and stands up well alongside the Duke. The support cast is full of western favourites and does well to fill the story out with colour, comic relief from Brennan's chuck wagon driver is great fun.
Overall this is a good western that I felt didn't quite reach it's full potential as a film. It could have gone further with the battle of wills between the characters but instead the cattle drive takes the lion's share of screen time. Having said that, there is still plenty to enjoy with both the character clashes and the perils of the cattle drive itself.
- bob the moo
- 2 août 2003
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Détails
Box-office
- Budget
- 3 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 14 462 $ US
- Durée2 heures 13 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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