ÉVALUATION IMDb
8,2/10
135 k
MA NOTE
Deux Américains à la recherche d'un emploi au Mexique convainquent un ancien prospecteur de les aider à chercher de l'or dans les montagnes de la Sierra Madre.Deux Américains à la recherche d'un emploi au Mexique convainquent un ancien prospecteur de les aider à chercher de l'or dans les montagnes de la Sierra Madre.Deux Américains à la recherche d'un emploi au Mexique convainquent un ancien prospecteur de les aider à chercher de l'or dans les montagnes de la Sierra Madre.
- A remporté 3 oscars
- 15 victoires et 5 nominations au total
Barton MacLane
- Pat McCormick
- (as Barton Mac Lane)
Arturo Soto Rangel
- Presidente
- (as A. Soto Rangel)
Manuel Dondé
- El Jefe
- (as Manuel Donde)
José Torvay
- Pablo
- (as Jose Torvay)
Robert Blake
- Mexican Boy Selling Lottery Tickets
- (uncredited)
Guillermo Calles
- Mexican Storeowner
- (uncredited)
Roberto Cañedo
- Mexican Lieutenant
- (uncredited)
Spencer Chan
- Proprietor
- (uncredited)
Jacqueline Dalya
- Flashy Girl
- (uncredited)
Ralph Dunn
- Flophouse Bum
- (uncredited)
Ernesto Escoto
- Mexican Bandit
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesJohn Huston stated that working with his father on this picture and his dad's subsequent Oscar win were among the favorite moments of his life.
- GaffesAlthough set in the 1920s, many of the cars on the streets of Tampico are of 1930s and 1940s vintage; likewise, women, when prominently seen, are groomed and dressed strictly in the style of the 1940s.
- ConnexionsFeatured in The Screen Writer (1950)
- Bandes originalesBelieve Me If All Those Endearing Young Charms
(1808) (uncredited)
Music traditional
Played on harmonica by Walter Huston
Commentaire en vedette
The Treasure of the Sierra Madre (1948)
This is a weirdly contemporary film. I mean, it's certainly set in the past, and it's made in the heyday of Hollywood genius top to bottom which is long gone. But because it's about this old time and about raw black and white issues (often), the film and the filming are really appropriate. The whole thing just fits, and beautifully.
And I mean beautiful. As rugged as it all is--the landscape as well as the beards, all very real--the movie is lyrically filmed. The story is told with visual clarity. And the script, speaking of story, is sophisticated and believable. In all, under the direction of legend John Huston, this is a spot on terrific movie.
Of course, there are two actors who are just amazing in their roles (and a third, Tim Holt, who is just fine, if not stellar). I mean of course Walter Huston, who nearly steals the show in every scene. He's a character, but not a caricature. His wisdom--real wisdom, based on smart observation over decades of experience--is sterling. Great stuff, well put. And of course he's the father of the director, which is a fun, and slightly Freudian twist. He gives one of the great performances of the decade.
Humphrey Bogart is not far behind, actually. If you like him in Maltese Falcon or Casablanca, you'll be surprised at first by the scruffy, raw character played here. But it's clear-headed, brilliantly delivered Bogart all the way, and a joy to watch him really act. See it for him, too.
Then there is the story itself, which is as important now as ever. That is, what matters in life? And what is the price to pay to get it? It's all rather bold and emotional even though it's delivered by some rough guys out of money prospecting in the wilderness of Mexico.
Are there downsides here? I suppose. You certainly can wonder about the way the Mexicans--good ones and banditos both--are portrayed. I think it's not bad, tinged with clichés, of course, but in Spanish without translation or stilted half-English, so it's the real thing. And no subtitles. Nicely done for an early Hollywood affair. Huston, the son, the director, if you don't know, is famous for doing things raw and right and slightly off the charts. He is making a commercial film, to be sure, but it has many small aspects that are just not pandering to anyone. This makes it work.
I'm sure to some this is a masterpiece. I'm giving that some thought. See it.
This is a weirdly contemporary film. I mean, it's certainly set in the past, and it's made in the heyday of Hollywood genius top to bottom which is long gone. But because it's about this old time and about raw black and white issues (often), the film and the filming are really appropriate. The whole thing just fits, and beautifully.
And I mean beautiful. As rugged as it all is--the landscape as well as the beards, all very real--the movie is lyrically filmed. The story is told with visual clarity. And the script, speaking of story, is sophisticated and believable. In all, under the direction of legend John Huston, this is a spot on terrific movie.
Of course, there are two actors who are just amazing in their roles (and a third, Tim Holt, who is just fine, if not stellar). I mean of course Walter Huston, who nearly steals the show in every scene. He's a character, but not a caricature. His wisdom--real wisdom, based on smart observation over decades of experience--is sterling. Great stuff, well put. And of course he's the father of the director, which is a fun, and slightly Freudian twist. He gives one of the great performances of the decade.
Humphrey Bogart is not far behind, actually. If you like him in Maltese Falcon or Casablanca, you'll be surprised at first by the scruffy, raw character played here. But it's clear-headed, brilliantly delivered Bogart all the way, and a joy to watch him really act. See it for him, too.
Then there is the story itself, which is as important now as ever. That is, what matters in life? And what is the price to pay to get it? It's all rather bold and emotional even though it's delivered by some rough guys out of money prospecting in the wilderness of Mexico.
Are there downsides here? I suppose. You certainly can wonder about the way the Mexicans--good ones and banditos both--are portrayed. I think it's not bad, tinged with clichés, of course, but in Spanish without translation or stilted half-English, so it's the real thing. And no subtitles. Nicely done for an early Hollywood affair. Huston, the son, the director, if you don't know, is famous for doing things raw and right and slightly off the charts. He is making a commercial film, to be sure, but it has many small aspects that are just not pandering to anyone. This makes it work.
I'm sure to some this is a masterpiece. I'm giving that some thought. See it.
- secondtake
- 27 juin 2013
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Treasure of the Sierra Madre
- Lieux de tournage
- Kernville, Californie, États-Unis(Kelly's Rainbow Mine)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 5 014 000 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 144 074 $ US
- 14 janv. 2018
- Brut – à l'échelle mondiale
- 5 014 000 $ US
- Durée2 heures 6 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What is the Hindi language plot outline for Le trésor de la Sierra Madre (1948)?
Répondre