Un avocat découvre que les fusils se font mieux entendre que les mots lorsque qu'il débarrasse une ville du Far-West de ses criminels.Un avocat découvre que les fusils se font mieux entendre que les mots lorsque qu'il débarrasse une ville du Far-West de ses criminels.Un avocat découvre que les fusils se font mieux entendre que les mots lorsque qu'il débarrasse une ville du Far-West de ses criminels.
- Jack Elkins
- (as Bobby Ellis)
- Townswoman
- (uncredited)
- Townsman
- (uncredited)
- Townsman
- (uncredited)
- Townsman
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesEl Paso (1949) was the first high-budget feature made by the producing team of William H. Pine and William C. Thomas, who were popularly known as "The Dollar Bills" because of their ability to produce quality low-budget films. The picture was also their first color feature, and cost approximately $1,000,000 to make.
"We've got people working in this one who two years ago wouldn't have been caught dead in a Pine-Thomas picture," said producer William C. Thomas. He added, "in the old days, all we had to do was get a guy blown up in an oil well explosion and go from there, but now, when we want to kill someone, we've got to have a good reason."
- Citations
Bert Donner: I see you found yourself a new coat.
Clayton Fletcher: Yes. A coat of a brave man who died defending the rights of his people. There were two bullet holes in the back of it. You heard of Señor Montez?
Bert Donner: Montez made the mistake of interfering with the law. If you're smart, you won't make the same mistake.
Clayton Fletcher: If I do, Donner, I'll remember to not turn my back on you.
The film begins just after the Civil War. A lawyer (John Payne) is sent from Charleston to El Paso to get some papers signed by a judge who used to live in South Carolina. Unfortunately, when Payne arrives, he finds that the judge (Henry Hull) is a drunk and the town is run by an evil boss (Sterling Hayden) whose aim is to steal away everyone's land. Can Payne use the law to his advantage or will he and his new friends have to take the law into their own hands?
The evil boss-man theme is a very, very familiar one in American films of this era--perhaps THE most familiar. I am pretty sure it was used long before it was in "Birth of a Nation" (this was an evil boss film despite its sick racist message). Because it's become a bit of a cliché, "El Paso" certainly lacks originality. But, despite the familiar, the film is handled well on several levels. While the boss-man story is overused, using an alcoholic judge to help make the land-grab 'legal' was an inspired change to the standard story. Additionally, Payne and Hayden are both good actors and make the most of the material. In addition, it was nice to see the way Mexicans were handled in the film. Too often, they are simpletons in westerns, but here they are both noble AND manly--with Eduardo Noriega's character being one of the better ones in this era. Along for the ride is old reliable Gabby Hayes for a nice bit of comic relief. In addition, while the film might be a bit blood-thirsty, it sure did make it exciting and better than the usually over-sanitized western of the day. The overall package manages to breath life into an ancient sort of story and makes the film a lot better than it should be. Worth seeing--particularly if you like westerns.
- planktonrules
- 2 déc. 2012
- Lien permanent
Meilleurs choix
- How long is El Paso?Propulsé par Alexa
Détails
Box-office
- Budget
- 1 000 000 $ US (estimation)
- Durée1 heure 43 minutes
- Rapport de forme
- 1.37 : 1