ÉVALUATION IMDb
8,1/10
37 k
MA NOTE
Un psychopathe criminel souffrant du complexe d'OEdipe s'échappe de prison et entraîne son ancien gang dans le braquage d'une usine chimique.Un psychopathe criminel souffrant du complexe d'OEdipe s'échappe de prison et entraîne son ancien gang dans le braquage d'une usine chimique.Un psychopathe criminel souffrant du complexe d'OEdipe s'échappe de prison et entraîne son ancien gang dans le braquage d'une usine chimique.
- Nommé pour 1 oscar
- 1 victoire et 2 nominations au total
Joel Allen
- Operative
- (uncredited)
Claudia Barrett
- Cashier
- (uncredited)
Ray Bennett
- Guard
- (uncredited)
Marshall Bradford
- Chief of Police
- (uncredited)
Chet Brandenburg
- Convict
- (uncredited)
John Butler
- Motorist at Gas Station
- (uncredited)
Robert Carson
- Agent at Directional Map
- (uncredited)
Bill Cartledge
- Car-Hop at Drive-In Theatre
- (uncredited)
Bill Clark
- Guard
- (uncredited)
Leo Cleary
- Railroad Fireman
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe character of Cody Jarrett was based on New York murderer Francis Crowley, who engaged in a pitched battle with police in the spring of 1931 at the age of 18. Before his execution in the electric chair on 1/21/32, Crowley's last words were, "Send my love to my mother."
- GaffesThe gas station attendant removes the radiator cap with his bare hand.
- Citations
Cody Jarrett: Made it, Ma! Top of the world!
- Générique farfeluMax Steiner altered the Warner Brothers familiar introductory theme to segue directly into his theme for the opening credits,
- Autres versionsAlso Available in a Colorized Version.
- ConnexionsEdited into Les Cadavres ne portent pas de costard (1982)
- Bandes originalesFive O'Clock Whistle
(1940) (uncredited)
Music by Josef Myrow, Kim Gannon & Gene Irwin
Played on a radio
Commentaire en vedette
WHITE HEAT is the ultimate gangster melodrama with the great James Cagney at the peak of his powers. No one else in the cast is a slouch either--Virginia Mayo convinces me that Bette Davis was right when she suggested Mayo should have played Rosa Moline in BEYOND THE FOREST.
Edmond O'Brien as a doggedly determined cop pretending to be a prisoner to get close to Cagney, is excellent, as he always is in these kind of roles. Steve Cochran's dirty lowdown heel is a standout as the darkly handsome actor makes the most of every line, especially in his scenes opposite Virginia Mayo.
Director Raoul Walsh keeps the film spinning along at a fast clip, never once letting the rather uncomplicated plot lose any of its tension as he underscores the pathology of Cody Jarrett's character, a man obsessed by his conniving mother (Margaret Wycherly). Cagney's prison breakup scene is masterfully handled by the actor and staged for maximum effect. A rousing score by Max Steiner underlines all of the suspenseful action and there's an electrifying climax with Cagney's famous "Top of the world, ma!" before he meets his end.
James Cagney has never had a better gangster role and he's given brilliant support by an outstanding cast. By all means, worth viewing as one of the great Warner crime melodramas of the late '40s.
Edmond O'Brien as a doggedly determined cop pretending to be a prisoner to get close to Cagney, is excellent, as he always is in these kind of roles. Steve Cochran's dirty lowdown heel is a standout as the darkly handsome actor makes the most of every line, especially in his scenes opposite Virginia Mayo.
Director Raoul Walsh keeps the film spinning along at a fast clip, never once letting the rather uncomplicated plot lose any of its tension as he underscores the pathology of Cody Jarrett's character, a man obsessed by his conniving mother (Margaret Wycherly). Cagney's prison breakup scene is masterfully handled by the actor and staged for maximum effect. A rousing score by Max Steiner underlines all of the suspenseful action and there's an electrifying climax with Cagney's famous "Top of the world, ma!" before he meets his end.
James Cagney has never had a better gangster role and he's given brilliant support by an outstanding cast. By all means, worth viewing as one of the great Warner crime melodramas of the late '40s.
- Doylenf
- 14 juin 2002
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- White Heat
- Lieux de tournage
- 198th Street and Figueroa, Torrance, Californie, États-Unis(final scene at Shell Oil plant)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 300 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 5 534 $ US
- Durée1 heure 54 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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