ÉVALUATION IMDb
7,6/10
10 k
MA NOTE
Mark Dixon veut être quelque chose que son vieil homme n'était pas: un gars du bon côté de la loi.Mark Dixon veut être quelque chose que son vieil homme n'était pas: un gars du bon côté de la loi.Mark Dixon veut être quelque chose que son vieil homme n'était pas: un gars du bon côté de la loi.
Fred Aldrich
- Detective at Staff Meeting
- (uncredited)
Don Appell
- Willie Bender
- (uncredited)
David Bauer
- Sid Kramer
- (uncredited)
Eddie Borden
- Pool Hall Patron
- (uncredited)
Neville Brand
- Steve
- (uncredited)
Barry Brooks
- Thug
- (uncredited)
Ralph Brooks
- Railroad Baggage Clerk
- (uncredited)
Oleg Cassini
- Oleg
- (uncredited)
John Close
- Hanson
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThis is the last in a series of films that Otto Preminger made as a director-for-hire for Twentieth Century Fox in the 1940s. The series includes Laura (1944), which also stars Gene Tierney and Dana Andrews, Fallen Angel (1945) and Whirlpool (1950).
- GaffesIn the opening sequence, the police dispatcher is heard on the car radio. The words spoken by the dispatcher, announcing two incidents, are lifted directly from the 1949 Procedures Manual of the New York City Police Department, where they are given as examples of the correct radio method. Only the time of day was changed to agree with the scene, but the addresses, incidents, car numbers, and dispatcher number are verbatim from the manual.
- Citations
[to Detective Dixon]
Insp. Nicholas Foley: Your job is to detect criminals, not to punish them.
- Générique farfeluThe opening credits start as chalk writing on a sidewalk with someone walking over them and whistling.
- ConnexionsFeatured in Gene Tierney: Final Curtain for a Noir Icon (2008)
Commentaire en vedette
I'm a big fan of fan of film noir, and this film by Otto Preminger easily stands as one of the best that I've seen! Preminger has reunited two of his stars from the hit 'Laura' - Gene Tierney and Dana Andrews, for an entirely different sort of crime film. Laura was based around love, and this film is based around hate; as we watch police detective Mark Dixon, a copper already suffering scrutiny from his superiors for his heavy handed tactics, accidentally kill a suspect and try to pin the murder on a known criminal; a man by the name of Tommy Scalisi. The plot is brilliantly worked, and Preminger excellently balances several plot points; but it all comes back down to the main moral implication surrounding our main character. The fact that the film is set in the criminal underground means that the plot is given an excellent base to work from, and director Otto Preminger expertly captures the sleazier side of life by showing the main characters gambling, beating one another (and their women), shooting and more - and this also helps to offset the film from the earlier 'Laura', which was very much set in upper class society.
The role of Mark Dixon gives Dana Andrews one of the most interesting parts of his career. Here, we have a character that is difficult to like as he's so cold - but the fact that we can understand his motives ensures that he's easy to sympathise with, and that allows the audience the ability to plug into his plight. The character development is well timed, and as we've follows this character and his motivations throughout the film; everything makes sense by the end. His co-star is the beautiful Gene Tierney, who isn't given as much to do in this film as she was in Laura; a film that made Tierney its linchpin. She does well with what she's got, however, and the lead duo's chemistry is excellent and Tierney helps to complete every scene she's in. I can't say that this is a better film than the earlier Laura; that's a hard act to follow, but this film certainly fits into the film noir formula better than Preminger's earlier film. The film also makes a good comparison piece for Laura; as just about everything in this film is opposite to the 1944 movie, yet it's all strangely familiar. Highly recommended to all!
The role of Mark Dixon gives Dana Andrews one of the most interesting parts of his career. Here, we have a character that is difficult to like as he's so cold - but the fact that we can understand his motives ensures that he's easy to sympathise with, and that allows the audience the ability to plug into his plight. The character development is well timed, and as we've follows this character and his motivations throughout the film; everything makes sense by the end. His co-star is the beautiful Gene Tierney, who isn't given as much to do in this film as she was in Laura; a film that made Tierney its linchpin. She does well with what she's got, however, and the lead duo's chemistry is excellent and Tierney helps to complete every scene she's in. I can't say that this is a better film than the earlier Laura; that's a hard act to follow, but this film certainly fits into the film noir formula better than Preminger's earlier film. The film also makes a good comparison piece for Laura; as just about everything in this film is opposite to the 1944 movie, yet it's all strangely familiar. Highly recommended to all!
- The_Void
- 6 mars 2006
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- How long is Where the Sidewalk Ends?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Al borde del peligro
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 475 000 $ US (estimation)
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Where the Sidewalk Ends (1950) officially released in India in English?
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