Ajouter une intrigue dans votre langueLong takes and a highly theatrical visual approach combine to form a tense and confrontational look at the decline of a socialist student activists' movement in Japan.Long takes and a highly theatrical visual approach combine to form a tense and confrontational look at the decline of a socialist student activists' movement in Japan.Long takes and a highly theatrical visual approach combine to form a tense and confrontational look at the decline of a socialist student activists' movement in Japan.
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- AnecdotesThis movie had a very troubled release in Japan. It was released in October 1960 and pulled from theaters after only three days by Shochiku. Director Nagisa Ôshima violently condemned the withdrawal in a public statement. The text reads as follows: 'I protest with indescribable anger against the massacre of Night and Fog in Japan. On behalf of us all, I, Toshirô Ishidô, all the members of the crew headed by Kô Kawamata, who participated in the film as if it was a personal matter, in this way giving depth to even the most difficult contents, all the actors, led by Fumio Watanabe who affirmed that his committed interpretation was much more than just professional, and all the people who were not directly involved in the making of the film but who collaborated to improve the result by offering criticism and suggestions as if it were one of their films, on behalf of us all, and of the pain and anger felt by everyone, I protest against the massacre of Night and Fog in Japan. Undoubtedly this massacre is an act of political repression. This is due to the fact that the film was withdrawn not because of disfavor from the audience. It is due to the way in which it was withdrawn. And if it does not depend on an act of political repression, then let us have the chance to present it to the public in just one theater, in a private association! Let the film be distributed!'
- ConnexionsFeatured in The Man Who Left His Soul on Film (1984)
Commentaire en vedette
Those who are familiar with the literature of Murakami Haruki are sure to be familiar with the Zenkyoto, Joint Struggle Councils, student movement that spread throughout Japanese universities during the 1960s resulting in the temporary halt of classes at a number of schools, including Waseda and Tokyo University. However, of course, the Zenkyoto was not the first leftist student movement in Japan. Another and better organized one was the Zengakuren which organized workers, students, and left-leaning intellectuals against the Japanese State.
It is during this time that Oshima Nagisa's film _Night and Fog in Japan_ was filmed, 1960. Soon after the failed attempt to halt the signing of the AMPO, Japan-United States Security Treaty, a young protester named Reiko marries the older journalist Nozawa. However, all is not revolution and roses because other members of the group have beef not only with Nozawa, but with the group's leader Nakayama and his wife Misako.
What follows is a series of flashbacks showing the days in which Ozawa, Nakayama, Misako, and several others were leftist students. Marxist ideologies are thick, but in fighting and lust are thicker, and the viewer witnesses several cases of personal disputes and the vacuous preachings of Nakayama who while talking about the equality of man seduces Misako away from Ozawa because of his wealth.
This is an interesting movie, but it might be quite slow for some. Mainly the film consists of arguments between the characters, but for those interested in Japanese Leftist movements, this should prove quite entertaining.
It is during this time that Oshima Nagisa's film _Night and Fog in Japan_ was filmed, 1960. Soon after the failed attempt to halt the signing of the AMPO, Japan-United States Security Treaty, a young protester named Reiko marries the older journalist Nozawa. However, all is not revolution and roses because other members of the group have beef not only with Nozawa, but with the group's leader Nakayama and his wife Misako.
What follows is a series of flashbacks showing the days in which Ozawa, Nakayama, Misako, and several others were leftist students. Marxist ideologies are thick, but in fighting and lust are thicker, and the viewer witnesses several cases of personal disputes and the vacuous preachings of Nakayama who while talking about the equality of man seduces Misako away from Ozawa because of his wealth.
This is an interesting movie, but it might be quite slow for some. Mainly the film consists of arguments between the characters, but for those interested in Japanese Leftist movements, this should prove quite entertaining.
- Meganeguard
- 11 janv. 2005
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Night and Fog in Japan
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 47 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Nihon no yoru to kiri (1960) officially released in Canada in English?
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