Un ouvrier d'usine rebelle et persévérant jongle avec deux femmes, dont l'une est mariée à un autre homme, mais enceinte de son enfant.Un ouvrier d'usine rebelle et persévérant jongle avec deux femmes, dont l'une est mariée à un autre homme, mais enceinte de son enfant.Un ouvrier d'usine rebelle et persévérant jongle avec deux femmes, dont l'une est mariée à un autre homme, mais enceinte de son enfant.
- A remporté le prix 3 BAFTA Awards
- 10 victoires et 3 nominations au total
- Mrs. Seaton
- (as Elsie Wagstaffe)
- Loudmouth
- (as Colin Blakeley)
Histoire
Le saviez-vous
- AnecdotesThe factory scenes were filmed in the same factory that original author Alan Sillitoe worked in during the war when he was making shells and other artillery. At the time of filming, the factory was owned by the Raleigh bicycle company.
- GaffesWhen Arthur and Doreen meet for the first time, her packets of crisps on the counter disappear and reappear between shots.
- Citations
Arthur Seaton: Mam called me barmy when I told her I fell of a gasometer for a bet. But I'm not barmy, I'm a fighting pit prop that wants a pint of beer, that's me. But if any knowing bastard says that's me I'll tell them I'm a dynamite dealer waiting to blow the factory to kingdom come. I'm me and nobody else. Whatever people say I am, that's what I'm not because they don't know a bloody thing about me! God knows what I am.
- ConnexionsFeatured in Viewpoint: We the Violent: Part 1 (1961)
The fact that it shocked audiences and local authorities because of its themes covering sex and abortion show that this was a time when a great deal of change was taking place in British society. Although I wasn't around then, things must have been changing very rapidly as six years later 'Alfie' was able to confront these issues full on whereas Karel Reisz's film merely hints at them.
This film also established Albert Finney as a national star and he was soon to become an international star with the wonderfully bawdy 'Tom Jones'. Its always interesting to see the films that established the actors we admire and I'm certainly a fan of Albert Finney so I was shocked when I saw this film and felt that he wasn't really very good in it.
The opening scene where his character, Arthur Seaton, is counting the parts he is making in his factory seemed to introduce a highly overwrought man that shouted all the time. Thankfully the unnecessary 'anger' at the start was toned down later but I still felt at the end that Finney could have done greater justice to his role.
Walking around with a straight back and his chest out, talking twice as loud as he needs to seemed to resemble an angry old man rather than an angry young man and I almost expected him to talk about how kids nowadays didn't know they were born.
Its unusual that an actor from a working class background didn't convince me when playing a character that was not that dissimilar from himself whilst actors like Tom Courtenay in 'Loneliness...' and particularly Richard Harris in 'This Sporting Life' did it much better.
However, I gradually found myself being more and more absorbed in this film as it started to develop a storyline and move away from a young man being angry simply for the sake of it.
Rachel Roberts excels in her role as the married woman who becomes pregnant by Seaton and its a shame that this actress has been forgotten when you consider her performance here and the marvellous one she gave opposite Harris in 'This Sporting Life'.
Shirley Anne Field also does well as Doreen the girl looking to settle down and it is in her relationship with Seaton where I disagree with many people's assessment of the film.
Its generally said that Seaton hates the idea of conformity but in the end accepts it. However I feel that the film is much more hopeful than that as he realises that love and marriage is not necessarily a trap that only fools rush into and that there is much more to conventional life than he had originally anticipated.
- DC1977
- 4 avr. 2003
- Lien permanent
Meilleurs choix
- How long is Saturday Night and Sunday Morning?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Samstagnacht bis Sonntagmorgen
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 £ (estimation)
- Brut – à l'échelle mondiale
- 370 $ US
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 1.66 : 1