Inspiré du roman de H.G. Wells: à la fin du 19è siècle, George a inventé une machine a voyager dans le temps. Il l'utilise pour se transporter dans le futur.Inspiré du roman de H.G. Wells: à la fin du 19è siècle, George a inventé une machine a voyager dans le temps. Il l'utilise pour se transporter dans le futur.Inspiré du roman de H.G. Wells: à la fin du 19è siècle, George a inventé une machine a voyager dans le temps. Il l'utilise pour se transporter dans le futur.
- A remporté 1 oscar
- 1 victoire et 1 nomination au total
Bob Barran
- Eloi Man
- (uncredited)
Paul Frees
- Talking Rings
- (voice)
- (uncredited)
Mike Hitlner
- Eloi Man
- (uncredited)
Josephine Powell
- Eloi Girl
- (uncredited)
James Skelly
- Second Eloi Man
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesYvette Mimieux was actually underage when shooting began (she turned 18 during the shoot) and was not legally supposed to work a full shooting schedule, but did. She was inexperienced, but as she worked on this film she kept getting better and better, so that by the end of the shoot the producers went back and re-shot some of her earliest scenes.
- GaffesIn the great hall whenever George is inside, parallel and perpendicular white lines are seen painted on the floor. The table arrangements do not conform to any arrangement that fits these lines. This is because the set was constructed over a studio parking lot and they did not put down a floor covering. The revealing parking lines are simply ignored. This info came from a special effects veteran who was on the set during the filming of these scenes.
- ConnexionsEdited into The Man from U.N.C.L.E.: The Project Deephole Affair (1966)
Commentaire en vedette
Boy, did a nice DVD transfer of this not only mak me appreciate the visuals in here more but made the story seem better, too, for some reason. I only acquired the DVD as a memento, so to speak. I had to have at least one movie which had the woman I had a crush on back in the early '60s: Yvettte Mimieux. She still looks great, too. The main thing, however, is how I now viewed this story and how much more I wound up liking it than in the past. This was my fourth look at this movie over a 45-year span and I enjoyed it the most this last time.
Since time travel stories always fascinate me, my favorite part of the film is when "George" (Rod Taylor) is actually in his time machine and experiments with it, slowing it down here and then and then stopping it a couple of times to observe World War I and then WWII. Then, he stops in 1966 when supposedly there was a nuclear attack. (Apparently, scare-mongers back in '60 thought that was a short-term likelihood.)
Anyway, when "George" (H.G. Wells, the author of this story) finally stops, in the year 200,000-something, the story loses some of its momentum. However, it's a fairly interesting study of a group of ultra-passive people being dominated by others who live underground and then literally eat the good people. Taylor is astounded that mankind has not progressed as he had figured but seemed to have regressed.
The message I got on this last look is that man is still man, meaning sinful and capable of anything bad as well as good, and to put one's faith totally in man is a mistake. It's only going to lead to disappointments as "George" found out on each of his stops. (Notice he never stopped during a peaceful, progressive period.) Yet, "George" is still an optimist and wants to be one to help initiate change for the better. There's always hope for a better world and people like George, with his idealism put to action, can make a difference.
Overall, an entertaining and thought-provoking film.
Since time travel stories always fascinate me, my favorite part of the film is when "George" (Rod Taylor) is actually in his time machine and experiments with it, slowing it down here and then and then stopping it a couple of times to observe World War I and then WWII. Then, he stops in 1966 when supposedly there was a nuclear attack. (Apparently, scare-mongers back in '60 thought that was a short-term likelihood.)
Anyway, when "George" (H.G. Wells, the author of this story) finally stops, in the year 200,000-something, the story loses some of its momentum. However, it's a fairly interesting study of a group of ultra-passive people being dominated by others who live underground and then literally eat the good people. Taylor is astounded that mankind has not progressed as he had figured but seemed to have regressed.
The message I got on this last look is that man is still man, meaning sinful and capable of anything bad as well as good, and to put one's faith totally in man is a mistake. It's only going to lead to disappointments as "George" found out on each of his stops. (Notice he never stopped during a peaceful, progressive period.) Yet, "George" is still an optimist and wants to be one to help initiate change for the better. There's always hope for a better world and people like George, with his idealism put to action, can make a difference.
Overall, an entertaining and thought-provoking film.
- ccthemovieman-1
- 5 janv. 2007
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
Box-office
- Budget
- 750 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 5 902 $ US
- Durée1 heure 43 minutes
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What is the Japanese language plot outline for La machine à explorer le temps (1960)?
Répondre