Ajouter une intrigue dans votre langueA drab little English seaside town tries to improve its image--and increase its revenues--by holding a film festival. When a famous continental star agrees to attend, things get out of hand.A drab little English seaside town tries to improve its image--and increase its revenues--by holding a film festival. When a famous continental star agrees to attend, things get out of hand.A drab little English seaside town tries to improve its image--and increase its revenues--by holding a film festival. When a famous continental star agrees to attend, things get out of hand.
Jim Brady
- Film Festival Patron
- (uncredited)
Billy Dean
- Film Festival Patron
- (uncredited)
George Fisher
- Film Festival Patron
- (uncredited)
Claire Gordon
- Angelina
- (uncredited)
Juba Kennerley
- Film Festival Patron
- (uncredited)
Lucille Soong
- Starlet
- (uncredited)
Histoire
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- AnecdotesA number of writers worked on the script, which was constantly being rewritten during the making of the film. When the TV presenter Robert Robinson agreed to play himself in a brief cameo, he told Ken Russell he would have to write his own lines as he wasn't an actor. Russell agreed and added that he could also rewrite everyone else's lines if he felt like it.
- Citations
Robert Robinson: Where will all of it end? Apache dancing in the Floral Halls? Absinthe in the ice-cream parlors?
- Autres versionsIn the release print as owned and screened by the British Film Institute, the ending sequence titles are different from the Studiocanal owned prints (available on DVD) with no credit given to actress Germaine Delbat, while a dedicated message of acknowledgment to Michael Arthur Film Productions is shown on behalf of the producers.
- ConnexionsFeatured in Sunday Night: Don't Shoot the Composer (1966)
Commentaire en vedette
A special title: I had to go across the pond to retrieve it! Because this film has never been released on home video in the US, I bought the film on eBay in the UK and shipped it to my friend Darren in Scotland, who ripped it into a Quicktime file to send to me. I would safely say it is the most difficult film to acquire I have ever tracked down!
First, the negative: this process caused a messy, glitchy version of the film that was admittedly harder to watch. I could handle it, but I wouldn't show this copy to friends unless they were warned. It makes the case for why having restorations and good quality picture matters.
Nonetheless, the feature debut of Ken Russell is truly a delight. It's a short and sweet 80 minutes and impressively has a fair share of humor and stylistic wow moments. He knows how to create beauty and wonder in cinema form like few other filmmakers I've ever seen. Despite its reputation as being Russell's least innovative project (had to start somewhere) it still has a few brilliant set pieces and photography to ogle at (not even just of the bikini-clad movie star). I laughed out loud, I was moved by some of its beauty. There's something to this late-era black and white that's really magnificent. You can see it as a contemporary to "A Hard Days Night," released the same year to much greater success. Some of its humor has aged, some of it remains relevant today toward the objectification of women, especially in regards to how it is shown in film. And it's surprisingly blunt at times, perhaps this is why it's been impossible to find in the US.
I hope to one day see this movie again in a proper restoration, or at least the unpixelated version as described. Yet despite some visual setbacks, I could still relish in 'French Dressing' and can't wait to see the next entry in Russell's filmography.
First, the negative: this process caused a messy, glitchy version of the film that was admittedly harder to watch. I could handle it, but I wouldn't show this copy to friends unless they were warned. It makes the case for why having restorations and good quality picture matters.
Nonetheless, the feature debut of Ken Russell is truly a delight. It's a short and sweet 80 minutes and impressively has a fair share of humor and stylistic wow moments. He knows how to create beauty and wonder in cinema form like few other filmmakers I've ever seen. Despite its reputation as being Russell's least innovative project (had to start somewhere) it still has a few brilliant set pieces and photography to ogle at (not even just of the bikini-clad movie star). I laughed out loud, I was moved by some of its beauty. There's something to this late-era black and white that's really magnificent. You can see it as a contemporary to "A Hard Days Night," released the same year to much greater success. Some of its humor has aged, some of it remains relevant today toward the objectification of women, especially in regards to how it is shown in film. And it's surprisingly blunt at times, perhaps this is why it's been impossible to find in the US.
I hope to one day see this movie again in a proper restoration, or at least the unpixelated version as described. Yet despite some visual setbacks, I could still relish in 'French Dressing' and can't wait to see the next entry in Russell's filmography.
- Hint523
- 3 mai 2020
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- How long is French Dressing?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Versuch's mal auf französisch
- Lieux de tournage
- Herne Bay, Kent, Angleterre, Royaume-Uni(Doubles as Gormleigh-on-Sea)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 26 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was French Dressing (1964) officially released in Canada in English?
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