Ieri oggi domani

1963's "Yesterday, Today and Tomorrow" was, like the previous year's "Boccaccio 70," another anthology feature, this time featuring Sophia Loren with her most frequent leading man, Marcello Mastroianni, starring in all three stories for director Vittorio De Sica. In "Adelina" they are a married couple living in a poverty stricken section of Naples, where she must dodge arrest for nonpayment on furniture by way of pregnancy; "Anna" finds her a bored socialite wed to an often absent industrialist who ultimately chooses wealth over love to Mastroianni's disappointment; and in "Mara" she plays a high priced call girl who vows to spend a week without sex to convince the young man next door to follow the call of the priesthood. Her final reel striptease remains the stuff of legend but is quite tame today, the actress considering it a most pleasing, natural performance. As a 1963 Oscar winner as Best Foreign Film it was a huge success, with both stars reuniting with De Sica for their next picture, "Marriage Italian Style."