Sept hommes et femmes sont bloqués sur une île inexplorée à la suite d'une tempête diluvienne.Sept hommes et femmes sont bloqués sur une île inexplorée à la suite d'une tempête diluvienne.Sept hommes et femmes sont bloqués sur une île inexplorée à la suite d'une tempête diluvienne.
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- 7 victoires et 2 nominations au total
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- AnecdotesIn the first-season opening credits, Russell Johnson and Dawn Wells were relegated to being simply "the rest," allegedly due to Tina Louise's insistence that no one be listed after her in the opening credits . That changed in the second season when Bob Denver demanded that they be given an equal share in the credits, thus changing the lyrics to "The Professor and Mary Ann". Sherwood Schwartz, who composed both themes, has said it didn't occur to him the Professor and Mary Ann would turn into prominent characters.
- GaffesOn a number of occasions, the castaways encounter people, whether other castaways or fugitives in hiding, who have been on the island for 10 years or more, prior to the arrival of the Minnow (Wrongway Feldman, Dubov the painter, and the jungle boy). All these characters regard themselves each as being the only person on the island. How big is this island that all these people could exist there so long and never know about each other?
- Citations
Gilligan: Hiya, Professor. What are you doing?
Professor Roy Hinkley: I'm making notes for a book. It's to be a chronicle of our adventures on the island... I think it's a book people will want to buy, don't you?
Gilligan: Sure, I'll buy one. I'm dying to find out what happens to us.
- Générique farfeluDuring the first season's opening credits, neither The Professor (Russell Johnson) nor Mary Ann (Dawn Wells) received an on screen billing, nor were they referred to in the theme song. They were just referred to as "...and the rest." For seasons two and three, they were added at the request of star Bob Denver, who thought it was stupid to leave out the two actors just to shorten the introductory song by a few notes.
- Autres versionsColorized versions of the first season's black and white episodes have been broadcast on TBS, TNT, and MeTV, and Australia's Foxtel
- ConnexionsEdited into La revanche des tronches II (1987)
Commentaire en vedette
Most of the reviews so far have damned "Gilligan's Island" with faint praise; most of the people have said that they either watched it as a kid (inferring that it wasn't meant for adults), or watch it only when nothing else is on.
Too bad. I pity them.
Too many people nowadays are trying to appear to be sophisticated and worldly; comparing the seven castaways with the Seven Deadly Sins, for example. "Gilligan's Island" was never meant to be fodder for college treatises or a locale from which to mine deeper, hidden meanings. It was a show that was meant to entertain the public....and for its brief three-year run, it did just that.
LET UP ON THE SHOW, ALREADY!! All you do is come off sounding like someone who, as my father used to say, wouldn't be satisfied if you had the moon with a fence around it. Just watch it and put the world on hold for a half-hour or more. Forget that you've got that test tomorrow, or the car needs to go into the shop, or the housework is piling up. So maybe it is/was far-fetched, and it had plot holes big enough to sail the "Queen Mary" through. You mean shows about a family of pop musicians ("The Partridge Family"), a genie ("I Dream of Jeannie"), a witch ("Bewitched"), a clan of hayseed multi-millionaires ("The Beverly Hillbillies") didn't stretch credibility beyond the breaking point either?
And remember another thing before you try to compare this to "Seinfeld", "Night Court", "Friends", or any other recent sitcom. "Gilligan's Island" managed to be humorous *without* falling back on sexual innuendoes a la "The Golden Girls", racial humor as heard in "All in the Family" or "The Jeffersons", or the foul, offensive language as heard in just about anything coming through my TV on the WB, Fox or UPN networks. Sorry, but if that is what is necessary for something to be "funny" today, I'll stay stuck in the '60s or '70s.
Too bad. I pity them.
Too many people nowadays are trying to appear to be sophisticated and worldly; comparing the seven castaways with the Seven Deadly Sins, for example. "Gilligan's Island" was never meant to be fodder for college treatises or a locale from which to mine deeper, hidden meanings. It was a show that was meant to entertain the public....and for its brief three-year run, it did just that.
LET UP ON THE SHOW, ALREADY!! All you do is come off sounding like someone who, as my father used to say, wouldn't be satisfied if you had the moon with a fence around it. Just watch it and put the world on hold for a half-hour or more. Forget that you've got that test tomorrow, or the car needs to go into the shop, or the housework is piling up. So maybe it is/was far-fetched, and it had plot holes big enough to sail the "Queen Mary" through. You mean shows about a family of pop musicians ("The Partridge Family"), a genie ("I Dream of Jeannie"), a witch ("Bewitched"), a clan of hayseed multi-millionaires ("The Beverly Hillbillies") didn't stretch credibility beyond the breaking point either?
And remember another thing before you try to compare this to "Seinfeld", "Night Court", "Friends", or any other recent sitcom. "Gilligan's Island" managed to be humorous *without* falling back on sexual innuendoes a la "The Golden Girls", racial humor as heard in "All in the Family" or "The Jeffersons", or the foul, offensive language as heard in just about anything coming through my TV on the WB, Fox or UPN networks. Sorry, but if that is what is necessary for something to be "funny" today, I'll stay stuck in the '60s or '70s.
- BikeBill
- 23 mai 2001
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- Date de sortie
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- Aussi connu sous le nom de
- Gilligan's Island
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- Durée30 minutes
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