ÉVALUATION IMDb
6,4/10
7,3 k
MA NOTE
Ajouter une intrigue dans votre langueIn the early twentieth century, a Gorgon takes human form and terrorizes a small European village by turning its citizens to stone.In the early twentieth century, a Gorgon takes human form and terrorizes a small European village by turning its citizens to stone.In the early twentieth century, a Gorgon takes human form and terrorizes a small European village by turning its citizens to stone.
Vic Chapman
- Asylum Worker
- (uncredited)
Peter Evans
- Inquest Jury Member
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesPrudence Hyman was nearly decapitated for real. She was supposed to duck when Sir Christopher Lee swung the sword, but forgot to do so at the critical moment. The Assistant Director pushed her aside just in time. The scene was then redone with a dummy.
- GaffesIn the climactic scene in the castle, during the fight between Namarof and Heitz, Namarof tries to secure his balance by holding on to an iron candlestick which bends, revealing itself to be made out of rubber.
- Citations
Prof. Karl Meister: Good heavens, Paul. What's happened to you?
Paul Heitz: Oh, why I've um, I've been ill.
Prof. Karl Meister: Ill? You must have been in your grave and dug your way out.
- ConnexionsFeatured in Frightful Movie: The Gorgon (1968)
Commentaire en vedette
Hammer gives some rich production values to THE GORGON, a horror film starring PETER CUSHING as a doctor with some mysterious secrets and CHRISTOPHER LEE as an inquisitive professor who wants to solve the riddle--namely, whatever is causing the strange deaths of several unfortunate victims who turn to stone under the evil gaze of "the gorgon." BARBARA SHELLEY commands interest immediately as a mysterious woman who knows somewhat more than she should about the legendary myth involving Maguera. The story is somewhat simplistic but holds a certain power because of the atmospheric sets and the high quality of the acting by an all British cast.
I've been critical of some of the Hammer films because they use garish color to get their effects (as in THE HOUND OF THE BASKERVILLES which was done at an earlier time by Fox in glorious B&W with Basil Rathbone and Nigel Bruce, superior in every way to the Hammer version). But THE GORGON has been photographed with an eye for atmospheric details that give the proper Gothic feel to the story.
The ending is somewhat disappointing in that The Gorgon is not quite as sinister and real as it should be (especially with regard to the snake headdress), but it's good to see Christopher Lee playing a good man for a change.
Well worth viewing.
I've been critical of some of the Hammer films because they use garish color to get their effects (as in THE HOUND OF THE BASKERVILLES which was done at an earlier time by Fox in glorious B&W with Basil Rathbone and Nigel Bruce, superior in every way to the Hammer version). But THE GORGON has been photographed with an eye for atmospheric details that give the proper Gothic feel to the story.
The ending is somewhat disappointing in that The Gorgon is not quite as sinister and real as it should be (especially with regard to the snake headdress), but it's good to see Christopher Lee playing a good man for a change.
Well worth viewing.
- Doylenf
- 29 oct. 2008
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Détails
Box-office
- Budget
- 150 000 £ (estimation)
- Durée1 heure 23 minutes
- Rapport de forme
- 1.66 : 1
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By what name was Gorgone: Déesse de la terreur (1964) officially released in India in English?
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