ÉVALUATION IMDb
7,4/10
12 k
MA NOTE
Un homme riche, Domenico, et Filumena, une prostituée démunie, partagent une grande partie de leur vie dans l'Italie du lendemain de la Seconde Guerre mondiale.Un homme riche, Domenico, et Filumena, une prostituée démunie, partagent une grande partie de leur vie dans l'Italie du lendemain de la Seconde Guerre mondiale.Un homme riche, Domenico, et Filumena, une prostituée démunie, partagent une grande partie de leur vie dans l'Italie du lendemain de la Seconde Guerre mondiale.
- Nommé pour 2 oscars
- 7 victoires et 10 nominations au total
Marilù Tolo
- Diana
- (as Marilu' Tolo)
Alberto Castaldi
- Doctor
- (as Alberto Gastaldi)
Vincenzo Aita
- Alfonso - Priest
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesDomenico arranges an apartment in Naples for Filumena. The former tenant's belongings are still in. There is a picture of Clara Petacci (dictator Mussolini's mistress) on the wall and Filumena asks when this will be removed. The scene is set in the late 1940s, so this obviously symbolizes Italy's transition from fascism to a republic. Mussolini himself would probably not have passed the censors.
- Citations
Filumena Marturano: [subtitled version] The problem is that our hearts used to be so big...
[holds up pebble]
Filumena Marturano: and now look how small they are.
- ConnexionsEdited into Marcello, una vita dolce (2006)
- Bandes originalesMunasterio 'e Santa Chiara
(uncredited)
Written by Michele Galdieri and Alberto Barberis
Sung by Don Domenico on the trip home from the racecourse; Don Domencio also asks the boys to sing it
Commentaire en vedette
A fine showcase for Sophia Loren who at the age of thirty portrays and older women seemingly at death's door as well as a young girl of seventeen. And throughout she has a fantastic rapport with Marcello Mastroianni and however fantastical becomes the action, however unrealistic the Italian 'realism' we believe in her. She is not, if there is such a thing, a 'classic' beauty and yet she always looks lovely. Her face can express sadness, concern, happiness and glee, all within seconds of each other and with her all the time remaining attractive. Her body is probably even more remarkable but it is the way she can move that is truly magical, and sexy. She can striptese all day long but the magic is when she begins to walk or skip along the street. Remarkable. And on the screen, of course, quite magical. So if the first half of this Vittorio De Sica film can be sluggish with comedic moments that don't quite cut it today (if they ever did outside of Italy) there is always Loren to look at and the pairing of the two to enjoy. Things get going and if we find it hard to glorify prostitution one moment and femininity and motherhood the next, it is not a problem for the Italians and eventually we too are swept along in a romanticised wave of well being.
- christopher-underwood
- 14 juill. 2020
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Marriage Italian Style?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 10 600 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 967 $ US
- 25 sept. 2011
- Brut – à l'échelle mondiale
- 157 819 $ US
- Durée1 heure 42 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Matrimonio all'italiana (1964) officially released in Canada in French?
Répondre