ÉVALUATION IMDb
7,6/10
13 k
MA NOTE
Un prêtre épiscopal guide un bus de femmes baptistes d'âge mûr sur les côtes mexicaines et accepte l'échec qui hante sa vie.Un prêtre épiscopal guide un bus de femmes baptistes d'âge mûr sur les côtes mexicaines et accepte l'échec qui hante sa vie.Un prêtre épiscopal guide un bus de femmes baptistes d'âge mûr sur les côtes mexicaines et accepte l'échec qui hante sa vie.
- A remporté 1 oscar
- 2 victoires et 14 nominations au total
Skip Ward
- Hank Prosner
- (as James Ward)
Jon T. Benn
- Extra
- (uncredited)
Fidelmar Durán
- Pepe
- (uncredited)
Emilio Fernández
- Barkeeper
- (uncredited)
Eloise Hardt
- Teacher
- (uncredited)
Gladys Hill
- Miss Dexter
- (uncredited)
Barbara Joyce
- Teacher
- (uncredited)
Roberto Leyva
- Pedro
- (uncredited)
Billie Matticks
- Miss Throxton
- (uncredited)
Betty Proctor
- Teacher
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesAt the time of filming it attracted more attention for its location dramas than for what happened on screen. At the time Liz Taylor was living with Richard Burton, whose agent was her previous husband, Michael Wilding. Ava Gardner's old friend Peter Viertel was around with being married to co star Deborah Kerr. It was for this reason that John Huston, recognising that there might be some good fights, gave all the cast gold plated guns.
- GaffesWhen Shannon and Charlotte emerge from the ocean, Shannon's chest is completely smooth. For the remainder of the film, which is supposed to take place that same day and the day after, copious amounts of chest hair can be seen at the opening of his shirt.
- Citations
T. Lawrence Shannon: Miss Fellowes is a highly moral person. If she ever recognized the truth about herself it would destroy her.
- ConnexionsFeatured in Hollywood and the Stars: On Location: Night of the Iguana (1964)
- Bandes originalesChiapanecos
Traditional Mexican folk dance
Heard on record played during fight in the beach bar between Hank and the beach boys.
Commentaire en vedette
A sultry and marvelously atmospheric screen adaptation of the Tennessee Williams play.
Richard Burton plays a defrocked priest who holes up in an isolated Mexican hotel with a group of religious biddies for whom he is serving as tour guide. The group's leader, a strident harpy played by Grayson Hall, wants to report Burton to the authorities for his inappropriate behavior with her young charge, played by the flirty Sue Lyon (yes, of "Lolita" fame). In response, he practically takes the women hostage, disabling their vehicle so that they can't leave the hotel. The hotel's owner, played by a sexy Ava Gardner, is an old friend of Burton, and she becomes a sort of accomplice to his actions. Williams uses the tension created by this situation and these characters to explore the dark nights of the soul that each of us is bound to go through at one point or another in the course of our lives, and the salvation humans can find in one another.
I'm not sure how closely the film follows the original stage play, but as presented here, this is one of Williams' more hopeful and optimistic stories. Richard Burton and Ava Gardner share some sweet moments, during which each allows him/herself to be emotionally vulnerable to the other, and receive some solace from the interaction. And there's a wonderful character played by Deborah Kerr, a spinster painter who shows up with her doddering grandfather in tow and whose vague past hints at some dark nights of her own. She is able to help the Burton character learn how to navigate his crisis and emerge relatively unscathed on the other side.
The film is directed by John Huston, and it takes a pretty frank approach to some of the dicey subject matter, a much more frank approach than some of the other Williams adaptations that had been made into films around the same time as this one.
Grade: A
Richard Burton plays a defrocked priest who holes up in an isolated Mexican hotel with a group of religious biddies for whom he is serving as tour guide. The group's leader, a strident harpy played by Grayson Hall, wants to report Burton to the authorities for his inappropriate behavior with her young charge, played by the flirty Sue Lyon (yes, of "Lolita" fame). In response, he practically takes the women hostage, disabling their vehicle so that they can't leave the hotel. The hotel's owner, played by a sexy Ava Gardner, is an old friend of Burton, and she becomes a sort of accomplice to his actions. Williams uses the tension created by this situation and these characters to explore the dark nights of the soul that each of us is bound to go through at one point or another in the course of our lives, and the salvation humans can find in one another.
I'm not sure how closely the film follows the original stage play, but as presented here, this is one of Williams' more hopeful and optimistic stories. Richard Burton and Ava Gardner share some sweet moments, during which each allows him/herself to be emotionally vulnerable to the other, and receive some solace from the interaction. And there's a wonderful character played by Deborah Kerr, a spinster painter who shows up with her doddering grandfather in tow and whose vague past hints at some dark nights of her own. She is able to help the Burton character learn how to navigate his crisis and emerge relatively unscathed on the other side.
The film is directed by John Huston, and it takes a pretty frank approach to some of the dicey subject matter, a much more frank approach than some of the other Williams adaptations that had been made into films around the same time as this one.
Grade: A
- evanston_dad
- 5 mai 2009
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Night of the Iguana
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 4 357 $ US
- Durée2 heures 5 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was La nuit de l'iguane (1964) officially released in India in English?
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