ÉVALUATION IMDb
7,7/10
90 k
MA NOTE
Un petit escroc vole une voiture et assassine impulsivement un policier. Recherché par les autorités, il retrouve une étudiante américaine en journalisme et tente de la persuader de s'enfuir... Tout lireUn petit escroc vole une voiture et assassine impulsivement un policier. Recherché par les autorités, il retrouve une étudiante américaine en journalisme et tente de la persuader de s'enfuir avec lui en Italie.Un petit escroc vole une voiture et assassine impulsivement un policier. Recherché par les autorités, il retrouve une étudiante américaine en journalisme et tente de la persuader de s'enfuir avec lui en Italie.
- Nominé pour le prix 1 BAFTA Award
- 5 victoires et 4 nominations au total
Richard Balducci
- Tolmatchoff
- (uncredited)
Daniel Boulanger
- Police Inspector Vital
- (uncredited)
Gérard Brach
- Photographer
- (uncredited)
Philippe de Broca
- A Journalist
- (uncredited)
José Bénazéraf
- Man in a White Car
- (uncredited)
Jean Domarchi
- A Drunk
- (uncredited)
Jean Douchet
- A Journalist
- (uncredited)
Liliane Dreyfus
- Liliane
- (uncredited)
- …
Michel Fabre
- Police Inspector #2
- (uncredited)
Roger Hanin
- Carl Zubart
- (uncredited)
Henri-Jacques Huet
- Antonio Berrutti
- (uncredited)
Raymond Huntley
- A Journalist
- (uncredited)
André S. Labarthe
- Journalist at Orly
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesDespite reports to the contrary, Jean-Luc Godard did not shoot the film without a script; however, he did not have a finished script at the beginning, instead writing scenes in the morning and filming them that day. See also Pierrot le fou (1965).
- GaffesDuring street shots, countless passersby look at Patricia and Michel and stare into the camera, revealing that the shots were made without filming barriers and simply used street pedestrians in place of extras.
- Citations
Patricia Franchini: What is your greatest ambition in life?
Parvulesco: To become immortal... and then die.
- ConnexionsEdited into Pariz pripada nama! (2016)
Commentaire en vedette
So says the novelist in response to Patricia's question, "What do you hope to attain out of life?" That response is the philosophy of the film and of every character in the film. All want to be in control of their destiny. All want to be something that they are not. None are able to do any of these things. They are all contradictions. How can you die as an immortal? How can Patricia be free and independent is so many other things determine what she can do? How can this film transcend the screen while existing on the screen? This is an amazing film to watch. Goddard fills every scene with ingenuity and energy. He puts his actors in a beautiful environment and lets them do their thing. And they do it extremely well. The actors are beautiful. Not just cosmetically, but spiritually and psychologically. I am not sure that I liked either of the two main characters. I am sure I could not keep my eyes off them. I could not take my eyes off the screen. Techniques that novices today use for no substantial purpose are utilized by Goddard to amazing effect. The greatest filmmakers are the great editors. Goddard makes the editing a character itself. It is the nervous narrator hurrying the film along. It breathlessly awaits the next scene, and leads us to do the same. I like the way Goddard spends prodigious time simply watching his characters. The conversation scene at the center of the film is amazingly long and drawn out, yet I did not find it boring. I found it fascinating. People are fascinating. Everyone is trying to be something. It takes tremendous talent to indulge in the minutiae of existence. A great film.
- jdoan-4
- 20 janv. 2006
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Détails
Box-office
- Budget
- 400 000 F (estimation)
- Brut – États-Unis et Canada
- 414 173 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 32 424 $ US
- 30 mai 2010
- Brut – à l'échelle mondiale
- 594 039 $ US
- Durée1 heure 30 minutes
- Mixage
- Rapport de forme
- 1.37 : 1
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What is the streaming release date of À bout de souffle (1960) in Australia?
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