Ajouter une intrigue dans votre langueMann, a gunman, learns his father was murdered by his mother and her lover. His childhood friend informs him, while Mann's sister is controlled by their murderous mom. Mann and his friend co... Tout lireMann, a gunman, learns his father was murdered by his mother and her lover. His childhood friend informs him, while Mann's sister is controlled by their murderous mom. Mann and his friend confront the mother to settle the score.Mann, a gunman, learns his father was murdered by his mother and her lover. His childhood friend informs him, while Mann's sister is controlled by their murderous mom. Mann and his friend confront the mother to settle the score.
Pilar Velázquez
- Isabella Carrasco
- (as Pilar Velazquez)
José Suárez
- General Juan Carrasco
- (as José Suarez)
Barbara Nelli
- Conchita
- (as Barbara Nelly)
Mirella Pamphili
- Inez
- (as Mirella Pompili)
Franco Gulà
- Preacher
- (as Francesco Gula)
José Riesgo
- Francisco Henchman
- (as José Riesco)
Omero Capanna
- Hitman
- (uncredited)
Histoire
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- AnecdotesBased on the ancient Greek myth of the events in the House of Atreus, as dealt with by the fourth-century BC Athenian tragedians: Aeschylus, in his trilogy, 'The Oresteia'; Sophocles, in his play, 'Electra'; and Euripdies, in his play, 'Electra'. The story, however, is much older, appearing also in Homer's 'The Odyssey', albeit in much less detail. According to the myth, Agamemnon is assassinated upon his return home from the war at Troy by his wife Clytemnestra and her lover Aegisthus, Agamemnon's cousin. In Aeschylus, Orestes, Agamemnon's son, is sent as a boy by Clytemnestra to an old family friend and ally in Delphi, far enough from the royal palace in Mycenae/Argos to be both safe and not a threat. In Sophocles, Orestes is entrusted by his older sister, Electra, to an old slave who flees and raises Orestes in secret. Some years later, Orestes secretly returns as a young man, intent on revenge, alongside his friend Pylades. The plays vary in their respective representations, but ultimately Orestes and Electra are re-united, Orestes forms a plan to kill Clytemnestra and Aegisthus, and Electra wholeheartedly supports the plan. A false report of Orestes' death is given to Clytemnestra and Aegisthus (in Aeschylus, Orestes himself poses as the messenger; in Sophocles, it is the Old Slave, while Orestes poses as an attendant carrying the urn of his own supposed ashes). Once in the palace, Orestes, supported by Pylades, murders Clytemnestra and Aegisthus. In Sophocles, the play ends here, and the audience is left with the sense of the figurative death of both Orestes' and Electra's humanity through the destructive vendetta. In Aeschylus, Orestes is driven mad by the avenging Furies over his act of matricide, and eventually goes on trial in Athens.
- GaffesAt 2 minutes a mounted bandit, having fired at a lone rider, rides down a hill wearing a black serape over his right shoulder. At 3 minutes when he arrives at the bottom of the hill and is shot the serape is gone.
- ConnexionsReferenced in El periscopio (1979)
Commentaire en vedette
Ferdinando Baldi's "Il Pistolero Dell' Ave Maria" aka. "Forgotten Pistolero" Of 1969 is good Spaghetti Western with an excellent score. Baldi is responsible for several good Spaghetti Westerns, including the great "Blindman" of 1971 and "Texas Addio" of 1966 with Franco Nero in the lead, and although "Forgotten Pistolero" is not one of his greatest achievements, Baldi proves once again, that he is an above average Western director. While "Blindman" is my definite favorite of Baldi's movies, I couldn't say whether I preferred "Texas Addio" of "Forgotten Pistolero". On the one hand, "Texas Addio" has Franco Nero, without doubt one of the Italian Western's best actors, in the lead, and the supporting cast includes Luigi Pistilli, Livio Lorenzon and Gino Pernice. On the other hand, the acting in "Forgotten Pistolero" is also very convincing, the score is excellent and the storyline is a bit more interesting than that of "Texas Addio".
After Sebastian's father, Civil War General Juan Carrasco (José Suárez) is murdered by his wife Anna (Luciana Paluzzi) and her lover Tomas (Alberto De Mendoza), their son Sebastian flees with his nanny and former wet-nurse. Years later, grown Sebastian (Leonard Mann) has become a fast and excellent shot. One day Rafael (Peter Martell) comes to Texas, where Sebastian lives, and brings back the dark memories of Sebastian's childhood. Rafael, who is the lover of Sebastian's sister Isabel (Pilar Velásquez), is constantly victimized by Anna Carrasco's henchmen (one of them played by Piero Lulli), and Sebastian agrees to join him back to his mother's estate in order to free his sister from their unscrupulous mother and to avenge his father's death.
This is the second movie starring Leonard Mann I've seen, after "Three Amens For Satan" of 1971. "Three Amens For Satan" was certainly no masterpiece, but Mann definitely delivered a good performance. In "Forgotten Pistolero" he is once again very good in the lead, and although Mann is not a very well-known Spaghetti Western actor, it should be said that this guy definitely had potential to play silent avenger types. Peter Martell also delivers a credible performance as Sebastian's sidekick Rafael, and Alberto De Mendoza is good as the villainous Tomas. The best performances in this movie, however, are in my opinion those of Luciana Paluzzi as the sneaky mother Anna Carrasco and beautiful Pilár Velásquez as Isabel. Piero Lulli fits perfectly into his (regrettably small) role of the brutal thug as always. The score by Roberto Pregadio is excellent, and the film is shot quite nicely in decent locations.
"Forgotten Pistolero" is a solid and entertaining Spaghetti Western, not a genre-highlight, but definitely a good film. 7/10
After Sebastian's father, Civil War General Juan Carrasco (José Suárez) is murdered by his wife Anna (Luciana Paluzzi) and her lover Tomas (Alberto De Mendoza), their son Sebastian flees with his nanny and former wet-nurse. Years later, grown Sebastian (Leonard Mann) has become a fast and excellent shot. One day Rafael (Peter Martell) comes to Texas, where Sebastian lives, and brings back the dark memories of Sebastian's childhood. Rafael, who is the lover of Sebastian's sister Isabel (Pilar Velásquez), is constantly victimized by Anna Carrasco's henchmen (one of them played by Piero Lulli), and Sebastian agrees to join him back to his mother's estate in order to free his sister from their unscrupulous mother and to avenge his father's death.
This is the second movie starring Leonard Mann I've seen, after "Three Amens For Satan" of 1971. "Three Amens For Satan" was certainly no masterpiece, but Mann definitely delivered a good performance. In "Forgotten Pistolero" he is once again very good in the lead, and although Mann is not a very well-known Spaghetti Western actor, it should be said that this guy definitely had potential to play silent avenger types. Peter Martell also delivers a credible performance as Sebastian's sidekick Rafael, and Alberto De Mendoza is good as the villainous Tomas. The best performances in this movie, however, are in my opinion those of Luciana Paluzzi as the sneaky mother Anna Carrasco and beautiful Pilár Velásquez as Isabel. Piero Lulli fits perfectly into his (regrettably small) role of the brutal thug as always. The score by Roberto Pregadio is excellent, and the film is shot quite nicely in decent locations.
"Forgotten Pistolero" is a solid and entertaining Spaghetti Western, not a genre-highlight, but definitely a good film. 7/10
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- 8 févr. 2007
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By what name was Il pistolero dell'Ave Maria (1969) officially released in India in English?
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